介绍：影片根据吉拉·阿尔玛戈原著的小说《阿维娅的夏天》改编，真实而生动地展现了以色列的生活。影片朴实、丰富、优美，反映了犹太大屠杀的主题。 1951年的夏天，寄宿学校的学生阿维娅的母亲把她带回家过暑假。阿维娅的父亲死于犹太大屠杀，母亲因为在集中营受到刺激，一直患有精神病。由于母亲长期住院，阿维娅很少能见到母亲。在与母亲共同度过的这个夏天，阿维娅悲喜交加。悲的是自己染上虱子被剃秃而母亲因为患病被邻居们唾弃，喜的是能与母亲共同生活，享受天伦之乐。阿维娅对从未谋面的父亲有着美好的憧憬。她相信，自己的父亲没有死，而是活在另外的地方。新搬来的邻居甘茨先生与母亲十分友善，阿维娅以为甘茨先生就是自己的父亲。阿维娅相信，幸福的未来在等待着她，可是现实是残酷的…

介绍：After five years of war in Syria, Aleppo's remaining residents prepare themselves for a siege. Khalid, Subhi and Mahmoud, founding members of The White Helmets, have remained in the city to help their fellow citizens-and experience daily life, death, struggle and triumph in a city under fire. 《阿勒波的最后一个人》（Last Men in Aleppo） 导演：菲拉斯·法耶德（Feras Fayyad）、斯蒂恩·约翰内森（Steen Johannessen） 丹麦 入围2017年圣丹斯电影节曝首批片单世界纪录片单

介绍：A comic and episodic satire, the film uses improvisation to illustrate the clash between fantasy and reality in real life. Although conceived in the style of Mekas' "Hallelujah the hills" (1962), it's an authentically Israeli satire, an openly rebellious and individualistic expression that poked fun at the sacred myths of earlier zionist films. The technique of film within the film is used to portray cinema as reflection of the imagination, a miracle based on dreams and fantasies that take on concrete characteristics - parallel to the miracle of Israel, the dream that has become reality. Although not a commercial success, its importance is beyond any measure, though it remains a unique experiment, boldly uncommercial and subversive, out of any context in that patriotic, ideological epoch.                                                                      A new immigrant, Tzelnik, arrives at the port of Jaffa. He goes to live in the Negev desert where he opens a kiosk in the middle of nowhere. Mizrachi comes along and opens a competing business across the way. The two make a living by selling to each other. As there is nothing there, they decide to create a world out of their imagination. They build a cardboard film set, which slowly takes on real dimensions- the buildings turn to concrete, people come to audition for parts in the "film" (cinema verité style, with Zohar mocking viciously the pretensions of the "actresses") and builders come to build appartment buildings (mocking the glorification of concrete and  "heroic" settlement). In one sequence, Arab actors come and ask the filmmakers turn positive to negative, and they're given the role of pioneers who plow the land and sing zionist songs. The imagined world of the filmmakers becomes so real eventually they lose sight of the thin line between fantasy and reality.                                                                      Along the way there are also many references to other films and genres: the samurai flicks of Kurosawa, westerns, the pop films by Richard lester, the meal scene from Tom Jones and many others.                                                                      The film was made by a bunch of (very talented) friends Zohar gathered, and they shot it with their own funds, as a “collective flick”, another aspect of it that sets it apart from the rest of the production in the country

介绍：在某个朔夜，犬夜叉一行和妖怪奈落展开最终决战。经过一番艰苦缠斗，他们终于消灭这个邪恶的妖怪，漫长的征战终于告一段落。戈薇短暂回到现代休整，随后再次和犬夜叉、七宝踏上寻找四魂玉碎片的旅程；法师弥勒的风穴消失，他返回寺庙拜祭父亲；珊瑚则和云母四处寻找流浪的弟弟琥珀。安宁的日子并未持续太久，获得自由的神乐在神无的的指引下，见到被封禁在生命之镜中的神久夜。五十年前，在神久夜的力量下，大地陷入永久的月圆之夜。弥勒的父亲弥苞法师将其封禁。为了解开禁锢，神久夜授意神乐寻找龙头之玉、蓬莱玉枝、佛之石钵、火鼠裘、燕之子安贝等五样宝贝。渴望得到永远自由的神乐心甘情愿为其驱使，甚至向犬夜叉和琥珀发起攻击。为了阻止世界毁灭，犬夜叉一行人重新聚首，向神久夜所在的富士山进发…

介绍：After living peacefully in the caverns of a small town, a stranded group of aliens turn deadly as they fight for their existence, betraying the compassionate chief of police who has protected them for 28 years