介绍：体型臃肿、相貌平平的瑞诺（Nils Jørgen Kaalstad 饰）是一个专事工具书翻译的宅男，他大多数时间呆在家里，幻想着和性感美丽的女子共度春宵。但由于外貌和性格的原因，瑞诺的爱情始终没有着落，只能依靠漫画和自慰来排遣心中的寂寞，嗜酒如命的怪人费里普（Kyrre Hellum 饰）是他唯一的朋友。某天，瑞诺的父亲自作主张为他找来一个室友，那是个名叫马琳（Josefin Ljungman 饰）的瑞典女孩。她性感魅力，体型曼妙，沉迷性和烟酒，尽情享受20岁的狂放年华。瑞诺对马琳心有所属，却又无比自卑。在马琳的引领下，瑞诺逐渐走进这个年轻人的圈子，只是，心与心的距离能否就此拉近？ 本片荣获2009年挪威阿曼达奖最佳导演奖

介绍：James Morrison (1932-2020) was one of Scotland’s most gifted painters. Anthony Baxter (Flint), filmed James over the last two years of his life as he struggled with failing eyesight and poor health. The result is a fond, affectionate portrait of the man and his legacy that glories in the scope of a career that includes vivid portraits of Glasgow life, the thunderous moods of Scotland’s seas and skies, Paris in winter and his Arctic work. A film that reflects the personality and talent of Morrison with lovely animation from Catriona Black and a plaintive soundtrack from Karine Polwart

介绍：讲述的是流浪食客林志浩主厨与生离死别的亲生母亲、心中思念的养母的故事。这部思念在路上长期结缘的母亲，为寻找人生真味而经历10年旅程的作品

介绍：文森特·威廉·梵高，这位用明亮鲜活的色彩吸引了全世界目光的天才画家，却在美丽的法国瓦兹河畔结束了自己37岁的年轻生命。他传奇不朽的一生已多次被搬上电影银幕。此次，由导演Andrew Hutton执导的本部戏剧式纪录电影，将重现梵高绚烂而短暂的一生。本尼迪克特·康伯巴奇 Benedict Cumberbatch饰演这位天赋异禀且卓尔不群的疯狂大师，而其弟提奥则由杰米·帕克 Jamie Parker饰演。剧中的一言一语皆来自于梵高写给提奥及亲人的信件。                                                                      本片以其独特的叙事方式和入木三分的描摹再现，赢得了2011年在班夫世界媒体节上的最佳艺术纪录片洛基大奖

介绍：The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography.　　The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic.　　Gila Almagor in Tofano's siege is one of the first characters of the modern war widows to appear on Israeli cinema screens.　　The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film.　　It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief.　　Siege was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas.　　Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film.　　This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.