介绍：本和女友婷卡以及他们年幼的女儿辛迪住在荷兰的乡村本在游乐场里与他人起了争执，醉酒开车回家时发生了车祸，女友不幸丧生，本也因此被捕入狱。当他出狱回到家时，婷卡的父亲拒绝让他见辛迪，而辛迪也因许久未见本而不能辨认出自己的爸爸。婷卡的姐姐黛比一直试图缓解父女俩尴尬的关系，本最终也如愿得到和女儿独处的机会，并悄悄带着女儿离开了。

介绍：《朗康科马湖传奇：湖中女士》讲述了杰米 (Jamie) 的故事，她是一名刚毕业的高中毕业生，她希望与朋友们在湖边享受她最后一个避暑别墅和 18 岁生日弟弟溺水一周年纪念日、母亲的心理健康问题以及困扰曾经幸福的舒尔茨一家的无法解释的超自然事件的阴影笼罩着杰米，她肯定不会度过她所希望或期待的夏天。

介绍：阿根廷版的“罗生门”受黑泽明《罗生门》的影响很深，尤其表现在摄影镜头的运用上非常像，讲的是从一件离奇谋杀案中找出真凶的故事，但也有自己的特点。影片改编自阿根廷奇幻文学大师Marco Denevi的短篇小说，由著名剧作家Mario Soffici执导，是一部经典的阿根廷电影。1959年嘎纳最佳影片提名。

介绍：This utterly gorgeous Gothic melodrama would be widely hailed as a masterpiece, had it not been made in Italy during the Mussolini regime. A gross injustice, as Malombra - unlike Piccolo Mondo Antico, Mario Soldati's earlier film of an Antonio Fogazzaro novel - contains not one moment of triumphalist flag-waving or Fascist family values. Oddly akin to Rebecca in its atmosphere of death-haunted romance and voluptuous doom, it reaches a peak of visual refinement of which Hitchcock could only dream.　　Its star is Isa Miranda (famous, and not without reason, as Italy's answer to Garbo and Dietrich) playing a headstrong but unstable young noblewoman, confined by her uncle to a gloomy villa on the shores of Lake Como. A yellowed and crumbling letter, found in an old spinet, convinces her that she is the reincarnation of her uncle's first wife - another troubled beauty who died a virtual prisoner after being caught in a forbidden love affair. When a handsome young writer (Andrea Checchi) comes to stay, Miranda decides that HE is the reincarnation of the dead woman's lover. Gradually, she lures him into her web of sex and revenge...　　What more to say without spoiling the fun Miranda gives a performance to rival any of the great divas of Hollywood. Only Davis and Stanwyck, perhaps, could play a bad girl so boldly without losing all sympathy. The evocation of 19th century aristocracy, in its full decadent splendour, is visually and dramatically flawless - a model for such later Italian gems as Visconti's Senso and The Innocent.　　It helped, perhaps, that Soldati himself was a leading novelist. Blessed with an absolute respect for the classics he adapted, but in no way inhibited by them. He was also the guiding spirit of the now-forgotten 'calligraphic' movement, which brought the Italian cinema to such wondrous aesthetic heights during World War Two, only to collapse before the horror of Neo-Realism. Can we blame Soldati for giving up film-making in disgust and going back to writing novels　　So if you've ever felt (as I do) that Rossellini's much-touted Rome - Open City is the work of an amateur...well, Malombra is the film you have to see!

介绍：Stephen Arrowsmith (Paul Muller), a scientist experimenting with the possibility of regenerating blood through electricity has his home and laboratory in the castle owned by his wife Muriel (Barbara Steele). Arrowsmith finds her later having sex with a gardener and disfigures him with a hot poker and burns Muriel's face with acid before electrocuting both of them. Arrowsmith hides their hearts in an urn and then uses their blood to rejuvenate the aged servant Solange (Helga Liné).　　Later, Arrowsmith realizes that he is not Muriel's heir, but that the estate has been willed to her sister Jenny (Barbara Steele). Jenny is mentally unstable, and Arrowsmith marries her, later planning to have Solange drive her to the brink of sanity. Jenny begins having nightmares which include the sound of beating hearts and Muriel's voice urging her to murder Stephen. Arrowsmith brings Jenny to the doctor Derek Joyce (Marino Masé) who is convinced that supernatural forces are at work. Arrowsmith later tries to give Solange another blood transfusion, the doctor then discovers the hidden hearts of Muriel and the gardener. The two return as ghosts with Muriel burning Stephen alive while David reduces Solange to a skeleton by sucking her blood. The doctor and Jenny leave the castle and consign the two found hearts to a fire.