介绍：The former star of a short-lived television sitcom, Fabien, drinks too much to remember everything he does and not much surprises him anymore. When his path crosses Yoni’s, he is not surprised to discover, in the wake of this young, tearful, military man, the head of yet another young man, beautiful like a dream, a memory, a reproach.

介绍：剧情围绕着男孩尼可（大卫·索兰斯 饰）的生活展开尼可有着超乎常人的智力，他只对一件事情感兴趣，那就是下棋。卡洛斯(何塞·卡罗纳多 饰演)与科拉尔(玛利亚·莫林斯 饰演)是尼可的父母，他们看上去对儿子的反常举动担心不已。卡洛斯决定聘请一位儿童心理学家来帮助尼可。胡里奥·巴尔特兰(胡里奥·曼里克 饰演)通过下棋和尼可进行交流，他渐渐地潜入了这名男孩黑暗的内心世界，并且发现尼可的家庭关系并不像表面上那样简单。现在，留给他阻止邪恶彻底毁掉这个男孩的时间并不多了……

介绍：In the year 2961, the time is after humanity and nature has recovered the land. A hunter named Cygnus is called to rise above his duty. He provides for Last Arc, a once nomadic band of survivors in need of food and water that is now growing scarce. The answer must be found before a group of outlandish Heretics descend upon them. Cygnus must voyage across the treacherous landscape to defend his people. Sent by Nova, the matriarch of the band, she acts based on her vision for Cygnus to find a seed of hope. The future of Last Arc is for him to discover, Cygnus ventures into a hostile landscape in search of an answer for his people. On this journey of encountering many traps and dangers, Cygnus discovers what has been hunting him is his identity.

介绍：In a monastery cult off from the world, the monks run a clinic for the possessed. One day, a young policeman Marek comes to the convent. Posing as a clergyman, he penetrates monastic life and tries to explain the recent, mysterious disappearance of several tormented inmates. It turns out, however, that there is no way out of the monastery .

介绍：50年代-60年代初波兰电影学院派的经典作品之一，堪称与同时代意大利导演安东尼奥尼的《奇遇》相比，改编自Józef Hen在社会主义波兰时期被禁的小说　　In 1960 his second film NIKT NIE WOLA NOBODY'S CALLING, based on a Jozef Hen novel that was never published in Poland, described the fate of Poles on the Eastern Front. Kutz used the film to explore new formal solutions, collaborating closely with cinematographer Jerzy Wojcik to reveal the psychological landscape of a pair of lovers who are strongly affected by wartime events. The camera recorded the couple's inner experiences, contrasting their muted intimacy against the surrounding scenery of a ruined town. The film did not win over critics at the time of its release. It was not until later that critics recognized Kutz's effort to experiment with aesthetics in a manner akin to that pursued by filmmakers of the new wave. NOBODY'S CALLING came to be compared with Michelangelo Antonioni's THE ADVENTURE, which was produced around the same time.