介绍：时尚“男魔头” 安德烈·莱昂·塔利是美国版《VOGUE》时尚杂志前任总编，这次时尚的聚光灯汇聚到了他身上本片通过采访与安德烈熟识的诸位设计大师和时尚名人，如Anna Wintour, Marc Jacobs, Tom Ford, Bethann Hardison, Valentino, and Manolo Blahnik，将他的职业生涯乃至人生展现给观众。

介绍：This 1992 Japanese film tells the story of a scientist who sets out to create the new super Adam and Eve, humans who cannot be controlled by their emotions. Of course, the end result it not exactly what the good doctor expects.　　comments from imdb　　This modern tale of an attempt to build a creature is one of the best horror films ever made, even if its not a horror film but something else entirely. Certainly its on my short list of all time great films.　　This film was introduced to me by someone who told me I have this film that probably one of the best films you'll ever see. It will move you and touch you and make you think, but if I told you what it is and told you how its done you will think its the stupidest thing on the face of it and you won't watch it. Intrigued I asked what did he mean, and he said, Well its a Frankenstein story, with a very goofy sort of edge, but which uses it to its advantage. My ears perked up, and I being a trusting soul took the tape and watched it. I was blown away.　　The plot concerns a mad scientist attempting to make a new Adam and Eve in the wake of a suicidal plague that is ravaging the world. Locked up in his lab his experiments go differently then either he or we expect. Some of it is silly (The bolts in the neck, the wrestling moves...), all of it is touching and thought provoking.　　I can not recommend this movie enough. If you are willing to take the film on its terms and allow it to tell its story then I urge you to seek this film out and see it. This is an undiscovered gem that will stay with you forever.　　15 out of 10 and then some. 1010　　Also known as The Last Frankenstein, this is an extraordinary, impeccably produced horror film. Director Takeshi Kawamura uses Mary Shelley's novel as a mere launching pad for an exploration of subjects as diverse and fascinating as the nature of love, desire, suicide, mass hypnosis, sex, alienation and jealousy.　　And though the film is dense with subtext, it is also stunningly photographed and rich in atmosphere and detail. The performances are all amazing and Kawamura's sensitive handling of the strange, delicate relationships between the characters results in an emotionally charged, angst-ridden tragedy.　　The scenes of the confused, troubled monster hurtling through a fog-shrouded forest at night are memorable and striking, as is a brilliant home movie-style montage of the film's more curious characters enjoying a precious afternoon at the beach. Kawamura creates resonating visual poetry of horror and sadness barely sighted since Todd Browning's classic Freaks.　　Intelligent, emotional, tragic and real, this is an absolute gem. 910

介绍：『ビデオカメラに何が写ったか』女子高生が毎夜見る不気味な夢にうなされていた朝起きると彼女の首に奇妙な痕が。その謎を解明するために彼女は自分の寝室にビデオカメラを仕掛けることに。そのカメラによって撮影された映像に何が映ったのか…。　　　　『幽霊屋敷』15歳の少女たちは刺激を求めて、不気味な古屋敷に入った。しかしそこは、誰も入ってはいけない禁域であった。屋敷の中で巻き起こる恐怖の連続。少女たちは無事屋敷から脱出できるのか…。

介绍：比莉在追求她想要的生活时，面对着新的挑战和新的欲望但她能拥有这一切吗

介绍：阿加莎是个古怪的小女孩，总是发明一些奇怪的监视设备，并自诩为侦探跟随妈妈搬入新社区后，她接到了一单调查商店失窃的案件。很快阿 加莎锁定了嫌疑人：住在隔壁的文森特。她偷偷翻进文森特家里探查，不料被文森特发现。妈妈以刚搬进街区促进交流的借口让文森特教她轮滑。　　文森特每次下午便失踪一阵子，阿加莎经过跟踪、打听等手段，得知文森特曾经有个好朋友，她认为文森特在废弃的工厂绑架了那个小女孩。阿加莎想要劝服文森特，深感被误会的文森特在众人的指责下离家出走。　　妈妈认为阿加莎在说谎，关停了她的侦探所。仍沉迷在侦探身份的阿加莎看到文森特偷偷回家，悄悄尾随他，发现他进入商店偷了一些狗粮。文森特气愤的跑开，而手抱狗粮的阿加莎被误认为是商店小偷。　　阿加莎明白了一切，原来那个好朋友“小女孩”只是文森特的狗，他的哥哥对动物过敏，只好将狗狗送人，但文森特舍不得，又将其要了回来放到工厂里，偷那些狗粮也是不得已。生病的狗狗咬了文森特一口，阿加莎来到工厂，看到发烧的文森特，她急忙叫了救援，救了文森特和狗狗。　　文森特最终好了起来，将小狗送给喜欢狗狗的阿加莎，而阿加莎小侦探的名声也传播开来。