介绍：　　69个男人回忆起，当他们听到这句话-“我怀孕了”的反应。男人和女人对于这个反应的解释是两个完全对立的方向。                                                                    　　（他）：调查结果标记了种种他们的回答，无疑，大多数的反应都没能让未来孩子的妈妈，在心中感受到喜悦。每个人都理想化的专注于，他们不必带着焦虑的呼吸，等待着孩子的降临，电影描绘了意大利零人口出生率，意味深长的生动写照。                                                                    　　（她）：调查中的结果显示了预期可预料到的回复：大多数接受调查的人承认，基本上她们的态度仍然是袖手旁观的，待命与男方的。有哪些女人还有追踪她们孩子父亲的希望吗

介绍：《微型死亡》“性爱”+“死亡”三重奏《微型死亡》（Little Deaths）是由三个英格兰的尖端电影制作人开启的一个疯狂的新型恐怖故事，他们分别是：Simon Rumley、Andrew Parkinson和Sean Hogan，而《微型死亡》将于SXSW电影节期间首映。电影《微型死亡》讲述了三个关于“死亡”主题的故事，不过这些都不是单纯的死亡，而是把“性爱”和“死亡”联系在一起的重口味恐怖片

介绍：Rainer Werner Fassbinder was probably Germany’s most significant post-war director. His swift and dramatic demise at the early age of 37 in 1982 left behind a vacuum in European filmmaking that has yet to be filled, as well as a body of unique, multi-layered and multifarious work of astonishing consistency and rigour. From 1969 onwards, Danish director and film historian Christian Braad Thomsen maintained a close yet respectfully distanced friendship with Fassbinder. Fassbinder – Lieben ohne zu fordern is based on his personal memories as well as a series of conversations and interviews he held with Fassbinder and his mother Lilo in the 1970s. The film also contains current interviews with Irm Hermann and Harry Baer, both of whom were close to Fassbinder. Beginning with Fassbinder’s extraordinary childhood in traumatised post-war Germany, the film, which is divided into seven chapters, provides an illuminating, intimate and moving tribute that bears witness to the enduring relevance of both the man and his work. Today in particular his oeuvre continues to provoke us to engage with controversy and tension – be it aesthetical, creative or critical. berlianle 201

介绍：Two survivors struggle through a dangerous journey in a world shrouded with evil and terror

介绍：1985年，阿根廷埃佩昆遭遇洪水来袭，整片家园淹没水底，待洪水退潮，疏散居民后，此地宛若鬼城，吸引许多追求刺激的游客前来冒险。有一群拍摄纪录片的团队不顾警告深入埃佩昆，却碰上了意想不到的麻烦和危险，这才逐渐意识到，这座鬼城并非真的空无一人…