介绍：一个男人由于患上了强迫性神经官能症，生活面临崩溃。可是在这样关键的时刻，他竟然遇上一段意想不到的风流韵事。黑色幽默的故事让观众惊喜连连。 The British indie DIRTY FILTHY LOVE offers a quirky spin on the standard romantic-comedy formula with the tragicomic misadventures of its neurochemically-addled hero. Mark Furness (Michael Sheen) is a thirtysomething architect whose marriage and career are threatened by his increasing obsessive-compulsive disorder and Tourette’s syndrome, which include repetitive and completely involuntary activities such as stair-counting, hand-washing, and swearing. When his wife Stevie (Anastasia Griffith) files for divorce and he loses his job to a subordinate, Mark turns to his doctor for help but instead meets a kindred soul, Charlotte (Shirley Henderson), who immediately diagnoses Mark’s mental disorders and offers him therapy via her own self-help group. The film’s darkly humorous yet poignant tone is carried by Sheen’s nuanced performance and an unsentimental script co-penned by Ian Puleston-Davies, whose own experiences with OCD lend authenticity to the proceedings

介绍：《阿拉亚》是委内瑞拉传奇女导演玛戈·贝纳塞拉芙唯一一部纪录长片，它在拉美影史上占有相当重要的位置，是委内瑞拉民主后第一部获得国际声誉的电影，当年在嘎纳它与阿伦·雷奈的《广岛之恋》共同分享了国际评论家奖，也都获金棕榈提名却最终未果，尽管名气不如《广岛之恋》和《黑人奥菲尔》那么大，但在专业人士眼中此片一直都是研究拉美女性电影所必修的经典，影片出色的摄影时常被人们所赞美，是与卡拉托佐夫的《我是古巴》齐名的诗意电影杰作，法国著名导演让·雷诺阿在看过影片后称赞《阿拉亚》是他所见过最完美的纪录片之一。贝纳塞拉芙就像是委内瑞拉影坛的特吕弗和亨利·朗格鲁瓦，她不仅是第一位毕业于巴黎电影学院（IDHEC）的拉美导演，而且在1966年创办了委内瑞拉电影资料馆，虽然由于资金短缺问题，她个人的导演生涯并不顺利，作品也很少，但却为新委内瑞拉电影的发展成立基金会，并曾获得世界各国的无数荣誉和勋章。 转自AUESS的博客资料（http://blog.sina.com.cn/s/blog_497f6a250100cxm0.html） Shown at Cannes in 1959, the year after Venezuela's last dictator Marcos Perez-Jimenez was overthrown, the documentary inadvertently highlights the kind of exploitation of the poor that can lead to rebellion. While the dictator escaped to Miami with $13 million, salt workers were piling up mounds of salt on the flat sands, making barely enough money to keep them in arepas and black beans. Between the hot, tropical climate and the sores on their feet, the job these workers do every day is excruciating. Yet the lives of the fishermen and salt workers in this documentary are shown in the context of planned, upscale development, something of a disservice to the larger picture. With not much making a great impression thus far at the Berlinale, Margot Benacerraf's lovely documentary Araya comes as a breath of fresh air from 1959. Reminiscent of Agnes Varda's debut film La Pointe-courte (1954) in its artful but somewhat ambivilant attitude towards filming a local community and their work clearly admired by the filmmakers, Benacerraf's film focuses on the inhabitants of Araya, a desolate area in Venezuela subsiding through a long history on the wealth of its great salt marshes. Araya was originally compared to Flaherty's Man of Aran, Visconti's La Terra Trema (1947) and Rossellini's India (1957). Margot Benacerraf has described the film as "a cinematic narration based on script writing rather than a spontaneous action, a feature documentary, the opposite of Italian neorealism"

介绍：西斯维·比克是南非的一个普通人，却身怀武术绝技。他最大的梦想就是过上简简单单的生活，但被卷入了为父亲争取自由的斗

介绍：描述一位骑士在寻宝的过程中，巧遇一条龙救了他的性命从此两人形影不离，并共同奋战击败了邪恶的巫师，在奋斗历险的过程中，也学习成为了真正的骑士。

介绍：　　69个男人回忆起，当他们听到这句话-“我怀孕了”的反应。男人和女人对于这个反应的解释是两个完全对立的方向。                                                                    　　（他）：调查结果标记了种种他们的回答，无疑，大多数的反应都没能让未来孩子的妈妈，在心中感受到喜悦。每个人都理想化的专注于，他们不必带着焦虑的呼吸，等待着孩子的降临，电影描绘了意大利零人口出生率，意味深长的生动写照。                                                                    　　（她）：调查中的结果显示了预期可预料到的回复：大多数接受调查的人承认，基本上她们的态度仍然是袖手旁观的，待命与男方的。有哪些女人还有追踪她们孩子父亲的希望吗