介绍：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

介绍：Still Punching The Clown follows Phillips' misadventures as a stand-up comic attempting to make a name for himself amid myriad trials and tribulations as he tries to balance success with artistic integrity.

介绍：《蒋能灌篮》讲述了一个亚裔美国青少年和篮球迷的故事，他想要能够灌篮，但他很快就对自己、朋友和家人有了更多的了解

介绍：“他们怎么会在一起”这句话首先会出现在人们的脑海里，因为秋相雨和张在荣在各个方面都是如此的不同其中一个是像机器人一样的工程系学生，为了方便，他穿着深色衣服，遵循严格的时间表。另一个则是自由自在的设计专业学生，穿着五颜六色的衣服，玩着滑板。当Jae Young搭便车与Sang Woo一起完成团队任务时，Sang Woo从项目中划掉了Jae Young的名字，两人成为了敌人。该片改编自周秀利(音)的网络小说《语义错误》(Semantic Error)，改编自曾在WATCHA排行榜上名列榜首的8集电视剧。因为这部小说的粉丝众多，所以很难超越预期，但朴徐咸和朴宰瓒两位正式偶像演员却获得了大奖。导演金洙正巧妙地强调了具有独特魅力和完美外表的年轻人的喜剧和新鲜的浪漫。

介绍：芭丽和夏布是一对非常恩爱的夫妻，夏布从事着广告创意的行业，芭丽的存在常常给他带来各种各样的灵感一场车祸中，芭丽不幸丧生，临终前，她希望能够将自己的心脏捐赠出去，去挽救另外一条无辜的性命。接受芭丽心脏的，是一个名叫达妮的女孩，手术结束之后，达妮在敏敏之中继承了芭丽的性格和好恶，并且在不知不觉之中深深的爱上了夏布。　　芭丽来到了夏布所在的公司成为了一名策划人，因为无法忘记已故的亡妻，所以夏布对热情似火的达妮处处回避。但不可否认的是，达妮确实也给夏布带来了很多新的灵感。最终，夏布还是得知了有关妻子心脏的真相。