介绍：Ittellsthestoryoftwoteenswhomeetandfallinloveoverfourdaysoftheyear

介绍：　　幼時待過日本的比利時女孩隻身赴日，遇上了他的第一個日本學生。她帶著他將法語學得琅琅上口；他則帶著她走遍東京的大街小巷，甜美可人的異國情愫也正悄悄滋長。同樣改編自作家艾蜜莉諾彤的半自傳小說，一樣以日本為舞台，本片與《艾蜜莉的日本頭家》彷彿一體兩面，以輕盈逗人的語調遙相對話

介绍：影片由加拿大演员、歌手罗伯·斯代法钮克自导自演，AliceCooper、IggyPop、CarolPope、HenryRollins以及Moby等众多大牌客串。斯代法钮克饰演的乔伊是新人乐队TheWinners的主唱。女贝斯手詹妮弗（杰西卡·派尔）在同一名吸血鬼一夜情之后拥有了神奇的性感魅力，使得乐队瞬间征服台下的所有观众。TheWinners成名在望，然而名为EddieVanHelsing（马尔科姆·麦克道威尔）的吸血鬼猎人在他们身后紧追不舍

介绍：当情圣遇上灰姑娘繁重的工作，骚扰以及对送回收容中心的恐惧，迫使17岁的凯蒂与其继母及同父异母的妹妹任劳任怨的生活在一起。然而正因凯蒂唱歌极富天分，她被迫放弃自己的歌唱生涯，让自己同父异母的妹妹贝弗·凡·瑞范思威有最大的可能赢得大量唱片合同。因为唱片公司董事长哈维·摩根，要在这所极富盛名的私立学校的艺术晚会的才艺展示上寻到一颗耀眼的明星。

介绍：The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography.　　The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic.　　Gila Almagor in Tofano's siege is one of the first characters of the modern war widows to appear on Israeli cinema screens.　　The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film.　　It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief.　　Siege was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas.　　Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film.　　This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.