介绍：道电光划过长空并碰撞城自然历史博物馆原来是一艘宇宙飞船，外来异兽为了适应地球环境，遂捉住了地球生物－－展馆内冰冻的巨大猛玛。冰冻的４万年前古老猛玛得到解救，巨大猛玛逃出博物馆凶性大发，整个城市瞬间陷入凶猛的铁足之下，到外一片悲呼惨叫，人们无处可逃……

介绍：Follows a woman desperate to escape her town, she meets a stranger who promises a romantic escape, but it results in deceit, mistrust, and violence.

介绍：Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.　　The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).　　The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.　　The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.　　Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.　　Roger Philip Mellor

介绍：一次看似普通的亲子钓鱼之旅，一家三口却误入了被称为“稻草人幽谷”的无人荒野。影片由他们遗留下来的影像拼凑而成，记录了这段度假经历如何一步步失控——森林深处，有某种无法解释的存在在暗中狩猎，而这片幽谷被掩埋的恐怖历史，也逐渐显露真相。

介绍：一次看似普通的亲子钓鱼之旅，一家三口却误入了被称为“稻草人幽谷”的无人荒野影片由他们遗留下来的影像拼凑而成，记录了这段度假经历如何一步步失控——森林深处，有某种无法解释的存在在暗中狩猎，而这片幽谷被掩埋的恐怖历史，也逐渐显露真相。