介绍：影片描述了美国40年代工人阶级的生活处境、工作条件、所受资本家的压迫、工人们为争取自己应得权利与工作保障所进行的正义斗争，以及工人内部和家庭内部的关系等。 美国40年代新墨西哥州的一个城镇矿区，德列维尔锌公司的矿工拉蒙·金泰罗已在井下度过了18年。公司制订的新规章不合理，工人得冒着更大的生命危险下井工作。又一次伤亡事故发生了，工人们提出的合理要求被公司拒绝后，在拉蒙的带领下，工人们开始了罢工。为支持罢工，拉蒙的老婆爱丝波朗莎将妇女组织起来，成为罢工工人有力的后援队。拉蒙被老板买通的警方抓走，一个月后又被放出来。而后老板又买通法院，污蔑工人犯了塔夫脱-哈特莱法，由爱丝波朗莎领导的妇女挺身而出，接替了罢工工人纠察队的工作，因为塔夫脱-哈特莱法不适用于她们。爱丝波朗莎等一干妇女被关了几天后又放了出来，无计可施的老板软硬兼施：一面动员罢工工人去打猎，一面派警察对付留在家里的妇女。多亏拉蒙带领矿工及时赶回，使狼狈的警察无功而返。最后，罢工取得胜利，无奈的老板答应了工人的要求。 http://movie.mtime.com/13319

介绍：瓦内萨（瓦妮萨·安吉尔 Vanessa Angel 饰）是一个有着灰暗过去的女人，曾经，她也有过幸福的婚姻，只不过所有的一切都在她的丈夫吞枪自杀后宣告完结。丈夫死了，继子贾斯汀（瑞克·奥托 Rick Otto 饰）因为精神崩溃被关进了精神病院，只留下瓦内萨一人被困在恐怖的回忆中不断的挣扎沉浮着。 一晃眼四年过去，瓦内萨好不容易渐渐远离了伤心的过往，也开始了另一端感情。就在这个节骨眼上，贾斯汀从精神病院出院回到了家中，他的目的只有一个，那就是继承父亲留下的一笔遗产。瓦内萨和他的新男友可不会就这么让这个满口胡言乱语的毛头小伙子如愿

介绍：The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography.　　The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic.　　Gila Almagor in Tofano's siege is one of the first characters of the modern war widows to appear on Israeli cinema screens.　　The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film.　　It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief.　　Siege was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas.　　Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film.　　This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.

介绍：俩宇航员在太空中捡到一个铁皮的蛋，有橄榄球那么大。带回地球后，它“孵化”出一个机器人。当然被我们干掉了，但这只是开始。原来它们是有生命的机器，几百亿年前就想征服地球了，但被当时的人类（当时居然有人类！而且科技很发达！前一批人类！！）阻止在月亮上。今天终于利用现在人类的登月舱充了电，重新执行征服计划！！ 当然结果还是我们人类胜利了