介绍：音乐收藏家奥利·斯韦招募了他唯一的朋友，一个吵闹的俄罗斯流浪者，帮助他从自己家里的庄园里偷了一张78张唱片

介绍：萨拉是一个动物权利组织的新星，她去了一个非法饲养小狗的地方实习，当该组织与当地执法部门联手打击时，她在做好本职工作和做正确的事情之间左右为ddd

介绍：Sur un mur de mon quartier, on a tagué Le premier qui tombe amoureux a perdu.　　C'est vrai. Parce qu’après, tout le monde parle sur toi et t’es à la merci.　　J’ai perdu. Je suis amoureuse d’une fille, je ne sais pas quoi faire…

介绍：故事围绕一张所有孩子都想拥有的利物浦队守门员的足球明星卡片展开初中生约的父亲死于意外，从此约变得很懦弱，每天晚上靠爸爸送给他的握力器练手劲排解压力。新转学来的玛丽漂亮聪明，很看不上约的懦弱，约为了玛丽，也曾反抗学校的小霸王汤姆-艾里克，但却没有成功，最后看到自己最好的朋友受欺负，终于凭手上练出来的力气，教训了汤姆-艾里克。影片穿插着约的各种想象，生动的体现了一个初中生的心理活动。

介绍：An outstanding comedy whose poetic style hearkens back to the films of Wes Anderson. It tells of a youngster focused on winning the nationwide drumming championship in spite of certain obstacles – such as not having any drums! A film that is every bit as hardcore as Jimmy Page’s guitar, and every bit as endearing as Robert Plant’s waistcoats.　　There are a lot of films that stick to the hackneyed theme of the outsider bent on fulfilling his dream in spite of all the odds – thanks to which he not only achieves his coveted success but, moreover, instils hope in the hearts of the weak and degraded through his courage and determination. But none of these films has had a protagonist as charismatic as Power – a young man obsessed with drumming drumlessly (read steady gesticulation set to the rhythm of legendary heavy metal anthems), whose aim is to win the nationwide drumming championship, support striking miners in New Mexico and win the heart of a girl who went deaf at the age of three at a Status Quo concert. This brilliant comedy – reminiscent of the films of Wes Anderson in its fascination with bizarre twists on standard genre themes – will thrill you even if you are not a fan of 1970s hard-rock dinosaurs. But you mustn’t forget Power’s creed while you’re watching “I don’t need drums. I am drums!　　About the director　　Ari Gold received a Student Oscar in 2000 for his film Helicopter, an experimental short film in which he used authentic photography, scene reconstructions and animated sequences to tell of the tragic death of his mother. The Sundance Festival accepted Gold’s short student films for three consecutive years, and one of them – the sixty-second film Culture, which the filmmaker accompanied with a 10-point manifesto signed with the pseudonym Ari von Gold – elicited (particularly in Serbia) a wave of similar films of exactly one minute in length avowing “Dogma 99”. In addition to filmmaking, Ari Gold is also a dedicated musician – he sings in the bands The Honey Brothers and The Gold Brothers, he plays the ukulele, the piano and occasionally the drums. The film Adventures of Power is his first feature-length film.