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无耻之徒(美版) 第七季已完结

标签:剧情 喜剧 欧美 

导演:克里斯托弗·查莱克,伊恩·B·麦克唐纳,埃米·罗森,罗伯·哈代

主演:威廉姆·H·梅西,埃米·罗森,伊森·卡特科斯基,杰瑞米·艾伦·怀特,艾玛·肯尼,卡梅隆·莫纳汉,史蒂夫·豪威,珊诺拉·汉普顿,塔特·艾灵顿,布兰登·西姆斯,伊西多拉·格瑞新特,约翰·赫宁甘,艾丽莎·科波拉,诺尔·费舍

介绍:《无耻之徒》(Shameless)第七季本季故事起始于「一个月之后」,Frank从昏迷中醒来后得知亲人背叛了他,于是向他们宣战。但是Fiona正忙于改善自己的生活,根本没时间关注Frank的威胁。尽管Fiona在第六季结尾遭到令人伤心的背叛,但她还是挺过来了。她是一个坚强的战士,没有什么能阻挡她追求新生活的努力——包括她的家人。  Gallagher家的金童Lip完成了康复治疗,带着对酗酒问题的新认识回来了,他对自己的前景表示悲观。与之相反,曾经精神很不稳定的Ian如今有了一份正式职业(急救员),还收获了令人满意的爱情。Debbie仍然不知道如何做一个好母亲,即将成年的Carl必须做出一些重大决定。Fiona决心自己要活出个人样来,但是Gallagher家的其他人在没有她这个主心骨的情况下是否会分崩离析?Alicia Coppola扮演严肃的蓝领女性Sue,和Ian一起工作。她担任一群急救员的监管人。Arden Myrin扮演无家可归的New MonicaDelores,与Frank发生了关系。Pasha Lychnikoff扮演Svetlana的父亲Yvan。Ruby Modine扮演「Pasty Pies」馅饼餐厅新来的女服务员Sierra,Fiona刚刚成为餐厅的经理。

无敌少侠第一季已完结

标签:动作 科幻 动画 惊悚 奇幻 冒险 欧美动漫 

导演:罗伯特·柯克曼,罗伯特·瓦利,杰夫·艾伦,保罗·弗明格,科瑞·埃文斯,杰伊·贝克,杰·哈姆,文顿·赫克,威廉·鲁兹卡

主演:史蒂文·元,吴珊卓,J·K·西蒙斯,莎姬·贝兹,沃尔顿·戈金斯,吉莉安·雅各布斯,杰森·曼楚克斯,格蕾·德丽斯勒,凯文·迈克尔·理查德森,扎克瑞·昆图,安德鲁·兰内斯,克里斯·迪亚曼托普洛斯,马克·哈米尔,玛莱斯·裘,塞斯·罗根,卡里·佩顿,马克斯·博克霍德,迈克尔·多恩,妮可·拜尔,梅·惠特曼,克兰西·布朗,杰弗里·多诺万,弗雷德·塔特西奥,乔纳森·格罗夫,马赫沙拉·阿里,乔恩·哈姆,罗斯·马昆德,埃兹拉·米勒,杰曼·翰苏,乍得·科尔曼,迈克尔·库立兹,连尼·詹姆斯,泽拉·法扎尔,雷金纳德·维尔约翰逊,

介绍:亚马逊将打造一部超级英雄动画剧集《无敌少侠》(Invincible),基于罗伯特·柯克曼(《行尸走肉》)和Cory Walker的同名漫画,共8集,每集一小时,Simon Racioppa(《少年泰坦出击》)担任运作人  讲述Mark Grayson是个普通青少年,除了一点——他的老爸是这个星球上最强大的超级英雄。在他十七岁生日后不久,Mark开始发展自己的超能力,并接受父亲的执导。他拥有和父亲一样超强的力量、速度、飞翔能力,刀枪不入,老化缓慢,自愈能力强。是一部充满悬疑、动作、感情,但却建立在爱情、友谊和人性的辛酸感人时刻之上的剧集。

X档案第一季已完结

标签:剧情 科幻 悬疑 惊悚 欧美 

导演:金·曼纳斯,罗伯·鲍曼,大卫·努特尔,克里斯·卡特

主演:大卫·杜楚尼,吉莲·安德森,米彻·佩勒吉,汤姆·布莱德伍德,威廉·B·戴维斯,布鲁斯·哈伍德,迪恩·哈格鲁德,尼古拉斯·李,杰里·哈德因

介绍:美国FBI探员福克斯·穆德(大卫·杜楚尼 David Duchovny 饰)童年时曾经历一起离奇神秘的绑架案,他的妹妹萨曼莎在睡梦中被外星人劫持,至今下落不明从此穆德便专注于神秘事件的研究,并专门负责FBI总部的X档案部门。因穆德行事乖张,难以驾驭。FBI高层从联邦调查局学院调来女性探员黛娜·斯科莉(吉莲·安德森 Gillian Anderson 饰),表面上是协助穆德工作,实际上是希望这名崇尚科学的理性探员能够制约穆德的行为。两人最初的合作并不理想,完全不同的思维模式时刻导致争论的爆发。但随着各种离奇案件的出现以及两人交往的加深,穆德和斯科莉最终变成可以为对方出生入死的可靠伙伴……  本片荣获1996~1999年度美国作曲家、作家及出版商协会影视音乐奖电视剧集第一名以及其他电影节近70个奖项。

不安已完结

标签:剧情 

导演:罗伯托·罗西里尼

主演:英格丽·褒曼,马蒂亚斯·维曼,雷娜特·曼哈特

介绍:Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto there's no place like home is ironically updated to the adult circumstantial adage there's no sex like marital sex. Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the fairy godmother who speaks the last words in the movie.

邪屋已完结

标签:恐怖 

导演:罗伯特·怀斯

主演:朱丽·哈里斯,克莱尔·布鲁姆,理查德·约翰逊,拉斯·坦布林,费伊·康普顿,罗莎莉·克拉切利,露易丝·麦斯威尔,瓦伦丁·戴尔,黛安·克莱儿,罗纳德·亚当

介绍:一群人应邀前往恭贺苏格兰的一幢百年鬼屋中亲身体验超自然的神秘力量结果他们发现屋中的种种怪异状况并非因为鬼魂出现所致,而是跟屋主的历史和房子的环境有很大的关系。本片在一个封闭的空间中拍出紧凑逼人的恐怖气氛,完全不依赖血腥或搞鬼镜头而令人捏一把冷汗,功力过人,两位女主角的 演出亦特别精彩,堪称低成本灵异电影中的代表作。  1999年的《猛鬼屋》是1959年电影《house on haunted hill》的翻拍版,之前的信息有误,希望大家移步另一页面。

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