介绍：　　围绕“Quad Rugby”(肢体缺陷榄球队)的美国国家队运动员的心路历程。虽然坐在轮椅上比赛，但球员的肢体碰撞甚多，流汗流血固然是常事，尿袋被撞爆也很常见。由于他们较一般的运动来得暴力激烈(跟《疯狂轮滑》有一拼)，未易名为“Quad Rugby”前，这种运动有一个很血腥的名字───“Murderball”(谋杀球)。片中的男主角——今年30岁的马克·祖潘于18岁时因交通意外令双脚永久残废，余生要坐轮椅度日，但他从“Quad Rugby”中找到了人生意义。                                                                            　　贵为美国国家队王牌球员的马克在球场上身手矫捷，充满斗志，面对强敌加拿大队时所激出的爆炸力惊人，其出色表现被《Entertainment Weekly》封为暑假最让人惊喜的动作英雄。影片于今年初在圣丹斯电影节上映，好评如潮。权威电影杂志《Premiere》及《Hollywood Reporte..

介绍：本片为1970年黑泽明拍摄，于《电车狂》上映前数月播出的一部电视纪录

介绍：只相信别人，不相信自己。这是吉卜力的制片人真实的工作物语。日本NHK跟踪拍摄，吉卜力的制片工作到底是如何开始的

介绍：Longtempsméconnu,lemicrobioteintestinaldévoilepeuàpeusessecretsetnousentraîneversunerévolutionscientifiqueetmédicale.Laclédesonfonctionnement?Lasymbiose,c’estàdirel’équilibreaveclerestedel’organisme.Tapisaucreuxdenosintestins,100000milliardsdemicro-organismesontsignéunpacteavecnous:nousleuroffronslegîteetlecouvert,enéchange,ilsnousmaintiennentenbonnesanté.Maiscettediversitébactérienneestendangeretcebouleversementjoueraitunrôledansdenombreuxproblèmesdesanté.Mieuxcomprendrelemicrobiotepourmieuxlerespecter:serait-celacléd’unfuturplussain?Thème:Médecine,génétique,SociétéDiffusionfrançaise:ARTE,Planète+ARTEFrance-YuzuProductions-INRA,AveclaparticipationdePlanète+,RTSRadioTélévisionetNR

介绍：This film begins with a photo of an armed civilian in Gwangju in May 1980. Mr. Ji Man-won, a conservative commentator, claimed the North Korean military intervened in the May 18 Gwangju Democratic Movement. According to Mr. Ji, the person in the picture is the North Korean soldier, ‘No. 1 Gwang-soo’, who masterminded the movement. The director traces the young man′s whereabouts based on the faint clues left in the picture. Amid the numerous photos that Ji Man-won presented as the basis for his claim, Gwangju citizens, who were suspected as ‘Gwang-soos’, filed a lawsuit against Mr. Ji. However, No. 1 Gwang-soo does not appear, and people do not remember him. The only thing they managed to recall from the vague memories was the fact that he was a ragman, Kim-Gun. The director approaches the truth gradually as interviews with numerous people and old data are closely compiled. At the end of the chase, what will we encounter? The directing power creating the tension is so great that we have to watch and hold our breath until the last moment. (Huh Kyoung) [23th BIFF Wide Angle