介绍：菲莉芭（凯特 布兰切特 Cate Blanchett 饰）为了替家人复仇，自制了定时炸弹，偷偷安放在毒贩的办公室内，并支开了不知情的女秘书然而，不幸还是发生了。由于清洁工打扫，她并没有将仇人炸死，反而连累了4条无辜的生命。菲莉芭以为大仇得报，所以在被警方逮捕后，供认不 讳， 毫无悔意。由于她坚持用英文，所以警局的书记员菲利普（吉尔瓦尼 雷比西 Giovanni Ribisi 饰）自愿做了翻译。在警方的严厉审讯中，她才了解真相，为此痛苦不已。菲利普也从中了解了她的身世遭遇：她曾给意大利警局不断写信，然而却石沉大海，因此她怀疑警局内也有人参与贩毒，知情人甚至要将她灭口。这时，菲利普偷偷地帮助她逃离了警察局，两个人在患难中建立了真挚的感情，并肩作战……

介绍：故事以主角辛纪元（黄日华饰）为主干，原是重案组督察，在经历儿子离奇猝死的打击后，触发了他能阅读及捕捉他人意识的潜能，过程中他出现了双重性格的征象，妻子及旁人都以为他患了精神病，其实他深信儿子是在“意识空间”被人杀死！元从此着力钻研“阅读人意识”的潜能，以私家侦探身份协助警方调查超自然案件，希望有一日查出在意识空间杀死儿子的真凶……而剧中一班主角都有异于常人的能力，他们把别人眼中“不正常”的特质，转化为不可思议的潜能，一起合作 屡破奇案

介绍：On Christmas Day, DAVID, 15, finds out that his boyfriend, JONATHAN, 17, has taken another lover. The discovery leads him on the brink of depression making him think of ways to have him back at all cost. He has invited Jonathan to see him on this day for the last time. And through the frenzy of his preparations prior to meeting Jonathan, we will discover his traits and personality; the 'worlds' he lives in - virtual and real; and, we will witness how he prepares for his most unique shout-out that he will make not only on his Facebook wall, but, in his life.

介绍：根据真实故事改编：一对著名夫妇双重谋杀案震惊了整个社区，当地警方也在努力寻找凶手当黑暗笼罩全城时，新来的牧师艾伯特必须帮助他的教会和家庭克服余震，提供稳定、疗愈和希望，而他的妻子艾美必须通过她的信仰来克服自己的恐惧。

介绍：When Rosa is expected to hand her boss the suntan lotion on a deer hunt, this feels like a sign. Don Reynaldo’s ranch is about to celebrate its farm anniversary, but this passionate hunter’s image is built on a lie. And so, here in the countryside, where men are men, employees are grateful subjects and women diligently and docilely hold it all together, cracks begin to appear in the social life of this microcosm. Ordered around day in and day out, unnoticed by those in her class-conscious surroundings, the menial Rosa gradually becomes an agent of change. While Don Reynaldo’s extended family contorts itself in a bid to save the old order, men begin to arrive at the farm in pickup trucks. Their appearance at the feast and a threat are enough to make the ageing patriarch fear for his life and his family – and force him to act. All that passes is observed by the animals who, either as trophies on the wall or as livestock out to pasture, seem to sense the end of an old hegemony.　　With a keen sense of how to deploy omens that herald change, Alejandra Márquez Abella portrays an epochal shift in rural Mexico – as seen by characters who are usually relegated to passive supporting roles.