介绍：科兹鲁克（克兹佐夫·马扎克 Krzysztof Majchrzak 饰）是一名平凡的农夫，每天过着循规蹈矩的生活。一天，村里来了一名美丽的女教师海德琦亚（Anna Seniuk 饰），原来，政府为了能够普及教育，打算在村里建造一间小学。海德琦亚的与众不同瞬间就吸引了科兹鲁克的注意，更糟的是，村长将海德琦亚安排到了科兹鲁克家暂住，这让科兹鲁克整天都生活在想入非非之中。                                                                      海德琦亚和村里的邮递员交往甚密，这让科兹鲁克感到非常的不是滋味，嫉妒如同火焰一般灼烧着他的内心。几个月之后，海德琦亚决定返回城里，此时的她已经和当地的居民们结下了深厚的友谊，所有人都舍不得她，其中也包括科兹鲁克

介绍：内

介绍：The main character is the manager of a sport club, nicknamed "Teddy Bear" by his friends and acquaintances. One day he is detained at the border just as his sport team is off to a tournament - somebody has torn out a few pages from his passport. It occurs to him that perhaps his ex-wife has done so to get her hands on their joint account in a London bank. Therefore, he has to get to London as soon as possible in order to transfer the money to a different bank. The solution is a movie, made by his friend. The script requires a double role, thus the search for a character is announced. The double has to apply for the passport, and that is solved through a girlfriend who agrees to play dope's new fiancée. At the engagement party he is slipped a drug, and Teddy Bear runs off to the airport with the false passport. On the plane, however, he meets his ex-wife..

介绍：访问了数十个不同年龄的人，了解他们生命中最重要的是什么

介绍：The Polish doco for the BFI’s Century of Cinema distinguishes itself from all the others in the series by being the only one not to have any film critics, academics, directors, etc providing a commentary.  Instead it takes the refreshing route of having ordinary people of all ages talking about what’s special to them about movies – so we get some old folks describing their first trip to the cinema when a lot of people didn’t even know what a film was, memories of what it was like to go to the movies as children, teenagers, and adults before, during, and after WWII, and especially the key scenes from films that have made lasting impressions upon them (not unexpectedly, Wajda’s KANAL strikes a nerve), which are shown in accompaniment, so that it becomes the interviewees who ultimately decide what’s shown in the doco.  This kind of stuff is what the ‘100 Years of Cinema’ celebration is really about