介绍：午夜，外乡人威利·法布里修斯在布拉格艳遇了一名美丽的女子，女子为他讲述了拉比内夫塔利与女魔像、伯爵夫人与鞋匠、开酒馆的女骗子的故事

介绍：This utterly gorgeous Gothic melodrama would be widely hailed as a masterpiece, had it not been made in Italy during the Mussolini regime. A gross injustice, as Malombra - unlike Piccolo Mondo Antico, Mario Soldati's earlier film of an Antonio Fogazzaro novel - contains not one moment of triumphalist flag-waving or Fascist family values. Oddly akin to Rebecca in its atmosphere of death-haunted romance and voluptuous doom, it reaches a peak of visual refinement of which Hitchcock could only dream.　　Its star is Isa Miranda (famous, and not without reason, as Italy's answer to Garbo and Dietrich) playing a headstrong but unstable young noblewoman, confined by her uncle to a gloomy villa on the shores of Lake Como. A yellowed and crumbling letter, found in an old spinet, convinces her that she is the reincarnation of her uncle's first wife - another troubled beauty who died a virtual prisoner after being caught in a forbidden love affair. When a handsome young writer (Andrea Checchi) comes to stay, Miranda decides that HE is the reincarnation of the dead woman's lover. Gradually, she lures him into her web of sex and revenge...　　What more to say without spoiling the fun Miranda gives a performance to rival any of the great divas of Hollywood. Only Davis and Stanwyck, perhaps, could play a bad girl so boldly without losing all sympathy. The evocation of 19th century aristocracy, in its full decadent splendour, is visually and dramatically flawless - a model for such later Italian gems as Visconti's Senso and The Innocent.　　It helped, perhaps, that Soldati himself was a leading novelist. Blessed with an absolute respect for the classics he adapted, but in no way inhibited by them. He was also the guiding spirit of the now-forgotten 'calligraphic' movement, which brought the Italian cinema to such wondrous aesthetic heights during World War Two, only to collapse before the horror of Neo-Realism. Can we blame Soldati for giving up film-making in disgust and going back to writing novels　　So if you've ever felt (as I do) that Rossellini's much-touted Rome - Open City is the work of an amateur...well, Malombra is the film you have to see!

介绍：The film deals with reincarnation and had a gothic noir feel to it. While driving his car on a rainy night, Anand's car breaks down, and he goes to seek shelter in a nearby house. He is let into the house by the servant, and he is permitted to stay until the rains stop, and he is able to get his car fixed. It is here that Anand will find out about his previous birth, his true love, Madhumati, their ill-fated, star-crossed and tragic romance, and how this the events in his previous birth are going to effect him in this life-time.

介绍：故事发生在1860年的澳洲，彼时，糖尿病依旧是无法治愈的绝症一场意外夺去了伯爵之子哈瑞（鲁伯特·艾弗雷特 Rupert Everett 饰）的一只手臂，令从小热爱马匹的他再也无法驰骋于马背之上。哈瑞雇佣了名为奈德（雨果·维文 Hugo Weaving 饰）的马车夫，随着时间的流逝，两人之间产生了坚实的友谊。　　哈瑞爱慕名为莎拉（Catherine McClements 饰）的女子，然而，因为哈瑞患有糖尿病，令莎拉的母亲对这门亲事持有坚决反对的态度。日子一天天过去，哈瑞的身体日渐憔悴，在大限之日到来之前，他希望能够留下后代继承他的财产，于是，他想到了奈德，希望他能够代替自己，带给莎拉一个儿子。

介绍：In dem Film wird von den widersprüchlichen Seiten der Liebe und des Glücks erzhlt.