介绍：用命换钱：在不久的将来，一种将寿命转给他人的方法永远地改变了世界，并使生物技术初创公司 AEON 成为一家市值十亿美元的制药公司　　马克斯和埃琳娜过着近乎完美的生活。但当这对夫妇面临付不起的意外保险理赔时，一切都在瞬间改变了。为了还清债务，埃琳娜（马琳·坦茨齐克饰）必须“支付”40 年的寿命。他们一起被剥夺了未来，眼前的生活尽是一片废墟。为 AEON 工作的马克斯（科斯蒂亚·乌尔曼饰）想尽一切办法找回埃琳娜失去的岁月。但一切都无法回到过去。

介绍：单身男子大卫（马克·鲁弗洛 Mark Ruffalo饰）为了忘掉伤心事，决定出租自己的公寓怪事开始发生：一个叫伊丽莎白（瑞茜·威瑟斯彭 Reese Witherspoon饰）的姑娘闯入了大卫的生活，声称这是她的房子。　　伊丽莎白似乎拥有超乎凡人的能力，她能随时出现在各个处所，纠缠大卫逼他搬走。然而，她却不知道这背后隐藏着一个残酷的事实——其实伊丽莎白只是一具鬼魂。她生前是一个工作狂，在一场车祸中遇难。大卫请来驱鬼人，伊丽莎白渐渐知晓自己的身份。在这个过程中，大卫和伊丽莎白之间产生了人鬼之恋，伊丽莎白生前和大卫一段错过的缘分，伴随着这段无果的恋情显得倍加唏嘘。

介绍：这部1961年拍摄，以罗马始祖埃涅阿斯为主角的意大利古装电影是唯一把海伦作为反面角色塑造的这个版本的海伦是个不折不扣的妖姬，本片大肆批判她和帕里斯勾搭。她不仅不悔改还试图勾引埃涅阿斯，以自己的美貌引起战事为傲。最后她还精心打扮以讨好墨涅拉俄斯保命，目睹他杀死帕里斯毫无表示。

介绍：This utterly gorgeous Gothic melodrama would be widely hailed as a masterpiece, had it not been made in Italy during the Mussolini regime. A gross injustice, as Malombra - unlike Piccolo Mondo Antico, Mario Soldati's earlier film of an Antonio Fogazzaro novel - contains not one moment of triumphalist flag-waving or Fascist family values. Oddly akin to Rebecca in its atmosphere of death-haunted romance and voluptuous doom, it reaches a peak of visual refinement of which Hitchcock could only dream.　　Its star is Isa Miranda (famous, and not without reason, as Italy's answer to Garbo and Dietrich) playing a headstrong but unstable young noblewoman, confined by her uncle to a gloomy villa on the shores of Lake Como. A yellowed and crumbling letter, found in an old spinet, convinces her that she is the reincarnation of her uncle's first wife - another troubled beauty who died a virtual prisoner after being caught in a forbidden love affair. When a handsome young writer (Andrea Checchi) comes to stay, Miranda decides that HE is the reincarnation of the dead woman's lover. Gradually, she lures him into her web of sex and revenge...　　What more to say without spoiling the fun Miranda gives a performance to rival any of the great divas of Hollywood. Only Davis and Stanwyck, perhaps, could play a bad girl so boldly without losing all sympathy. The evocation of 19th century aristocracy, in its full decadent splendour, is visually and dramatically flawless - a model for such later Italian gems as Visconti's Senso and The Innocent.　　It helped, perhaps, that Soldati himself was a leading novelist. Blessed with an absolute respect for the classics he adapted, but in no way inhibited by them. He was also the guiding spirit of the now-forgotten 'calligraphic' movement, which brought the Italian cinema to such wondrous aesthetic heights during World War Two, only to collapse before the horror of Neo-Realism. Can we blame Soldati for giving up film-making in disgust and going back to writing novels　　So if you've ever felt (as I do) that Rossellini's much-touted Rome - Open City is the work of an amateur...well, Malombra is the film you have to see!

介绍：Horrified by the cruelty of the Turkish society, a beautiful French schoolgirl, sold into white slavery, seizes power within her sultan's kingdom when he is killed. She implements changes to form a more civilized society and leaves her eternal mark before her death. Based on the true story of Aimee Dubucq De Rivery.　　艾梅.杜贝克.德.薇茜，一个美丽高难度傲的法国姑娘，被作为白人奴隶卖到土耳其被当时东方最强大的人—土耳其王国稣丹选中，年迈的稣丹无药可救地爱上了这们美丽固执的法国姑娘。艾梅亲眼目睹了土耳其的残暴陋习，被土耳其宫廷的相互倾扎深深震憾。她的纯洁天真一点一点被磨掉，她怀了稣丹的儿子后，老稣丹在一次起义中被杀害，整个国家一片混乱，当新的的稣丹继承王位后，艾梅适时地把握机会，夺得权力，她进行了一系列改革，在历史上留下深远的影响。