介绍：Pong acted as Pummared like the title of this lakorn. The story was about Pummared whom seeking revenge of his family enemy daugthers his dad's old business partner. Pummared's father had a partner in hotel business but they broke off with bad dispute and due to Pummared's father bad management his business collapsed so he tried to borrow money from his ex-business partner but he didn't want to lend him money instead took over the hotel and made Pummared's father became paralysed on both legs. Pummared came to Bangkok when his dad's ex-business partner was dead and came to his funeral pretending that his father was the family friend. Pummared's father ex-business partner had 3 daugthers. The 1st one was Ning, the head of the family good for handling business matter but lousy when it comes to relatioship and socialized with people. The 2nd one was Noy, the strong-will and easy going person who socialized a lot and good in handling matters. The youngest sister was Noi, naive and innocent never know about outside world,love, and lack of confidentlity because she just staying at home and the best she could so just cooking at home. Pummared seduced these 3 sisters, the eldest sister was easy to seduced since she was yearned to be loved, the youngest also easy to seduced because she didn't know what love is until she attracted with Pummared even though she knew that Pummared already with her eldest sister she's willing to be his mistress. Noy was difficult for Pummared to win over because she was smart and not easy to fall for a guy, Pummared was being challanged to win her heart and he fell in love with her because of her behaviour compared to her 2 sisters.When Noy found ot that Pummared was her eldest sis's boyfriend she was very angry and had an argument with her eldest sister because she told her that he was not a nice person but Ning refused to believe her blinded by her love to him. Noy left home insisted couldn't live in the same roof with Pummared. Noy knew from his father's ex-lawyer whom Ning fired because he warned her about Pummared that Pummared and his dad were not decent people that they had motive to get involved in her family business. The fact was Pummared tried to take control of the company for his father's sake but less he knew that his father was the bad guy who tricked his son to pursue his personal ambition and he liked to gamble. Pummared married Ning and soon after Ning gave him power of her company on their wedding day then he showed his true color and didn't want to sleep with her but left to Noy's place but she didn't accept him, later on he ran away from everything. Pummared also impregnate Noi (the youngest sis) who fell head over heal to him and still didn't realize her mistake loving wrong guy.Ning realized her mistakes marrying a wrong guy and Noy reconciled with her. One day Ning knew that Noi was pregnant with Pummared, she's angry and jealous so when Pummared came to her house to talk over with Noi she wanted to shoot him but instead shoot Noi to dead, Ning went berserk hence Noy became all alone. Pummared realized his mistakes and his father misdeed and he wanted return everything to Noy however his father accidentally shoot him. He returned the shares to Noy and admitted that the only person that he truly loved just Noy he refused to go to the hospital and died in Noy's arms. Noy loved him and cried, she just couldn't accept because the way he mistreating his sisters.

介绍：改編自丹麥金獎同名暢銷小說，瑪麗的愛人拉斯穆斯因工作關係決定搬離哥本哈根，搬到丹麥西日德蘭半島，瑪麗的生活因此發生了翻天覆地的變化，瑪麗不情願地與拉斯穆斯一起搬到多風的小鎮──韋林雖然拉斯穆斯很快地就融入了當地的生活，但對瑪麗卻與當地格格不入。後來，隨著她逐漸學會多聽少說，也開始為當地報紙提供的建議專欄，她逐漸意識到自己可能需要韋林，就像韋林需要她一樣。

介绍：因为爱情与责任而备受煎熬的幽灵她的责任就是守护大城王国的宝藏，直到它走到尽头。跨越世纪的恩怨纠葛，跨越世纪的疑惑，究竟为何她的爱人会对她做出如此可怕的事情。她从不知道缘由。唯一能让她的灵魂得以解脱，不再履行永远守护宝藏职责的方法就是找到一个替身。Ubol，或者在现在这个时代应该称她为Saroshinee, 对别人都不屑一顾，只有他，Ukkanee, 这个她爱到胜过自己生命的男人。爱情就是爱情。纯真的情感期待同样的回应，但是她得到的却是无尽的折磨。她苦苦寻找着正确的论断。最后，Boy终于决定把Thomyunthee的小说“Pidsawad”搬上电视银幕。 Pong Nawat饰演Ukkanee，他的前世是一位将军， 而今生，他轮回为一位考古学家。然而，他却和他的前世丝丝相连，因此他试图找出自己的真实身份。而女主角由Bee Namthip饰演。 她名叫Ubol, 一个全心全意爱着Ukkanee的女人。之后变成了守护国家宝藏的鬼魂，并试图找到自己的替身。转自泰剧吧

介绍：为了拯救罹患重病的母亲，女大学生米拉（莫迪埃夫罗西娜 饰）跟一群朋友前往偏远的山村「舞者村」，要将母亲收藏的手环归还给守护当地的妖怪「巴达拉乌希」（奥若拉莎拉 饰），结果却意外引发一连串恐怖的遭遇……

介绍：Paris, 1315. The Tour de Nesle, a guard tower on the banks of the Seine, has become a symbol of mystery and fear. Each morning, at its base, the bodies of handsome young aristocrats are found floating in the river, all butchered by sword or arrow. One evening, two noblemen, Buridan and Philippe d'Aulnay, find themselves in the infamous tower, lured there on the expectation of a night of unbridled passion. Little do they realise that they are to be the next victims of a woman who is determined to take revenge against all men - Margaret of Burgundy, the present Queen of France. Although Philippe is killed, Buridan escapes, and intends to blackmail the Queen. Unless she makes him her prime minister, he will expose her crimes to Philippe's brother and her husband, King Louis X. When she moves to eliminate Burdan, Margaret makes a terrible discovery...　　In the twilight years of his long and pretty uneven career, the great avant-garde film director Abel Gance made a number of films which, whilst not as grand and artistically inspired as his early silent masterpieces (La Roue (1923), Napoléon (1927)), still compared very favourably with the work of his contemporaries.　　Of these, La Tour de Nesle is a film that still stands up remarkably well today - an ambitious historical drama based on the famous 1832 play by Alexandre Dumas. It makes a nice companion piece to Gance's subsequent historical romp, Cyrano et d'Artagnan (1964).　　　　Needless to say, the film isn't to be commended on its historical accuracy. As any historian will tell you, the Alexandre Dumas version of French history is wildly fanciful, to say the least. However, this doesn't prevent La Tour de Nesle from being an entertaining and, at times, highly poignant, piece of cinema.　　Whilst the characterisation and dialogue leave much to be desired, the plot (a murky tale of cruel revenge and political intrigue) is gripping, and the film's artistic design is exceptional for a film of this period. Gance brings a strangely expressionistic touch to his use of colour and shade, something which adds to the darkly sinister nature of the plot, whilst imbuing the film with a striking sense of historical realism. A propos, Gance's assistant director Nelly Kaplan makes her screen début in a small role, shortly before she herself embarked on a successful film making career.