介绍：阿尔方斯妮（葛丽泰·嘉宝 Greta Garbo 饰）本是一位出生在偏僻小村庄里的穷苦姑娘，被贪婪的父亲卖给了商人，之后一路辗转颠沛流离来到了繁华的大都市巴黎凭借着迷人的美貌和过人的智慧，阿尔方斯妮一举成为了巴黎上流社交圈内的交际花，整日生活在荼蘼的灯红酒绿之中，人们送给了她“茶花女”的美誉。纸醉金迷的生活迅速的消耗了阿尔方斯妮的健康，使她患上了肺病，善良的公爵因为阿尔方斯妮酷似她不久之前去世的女儿，而对她伸出了援手。　　一次偶然中，阿尔方斯妮邂逅了作家小仲马（罗伯特·泰勒 Robert Taylor 饰），情不自禁的坠入了情网。然而，两人的经历和身份悬殊实在巨大，这段感情将注定不会有一个圆满的结局。

介绍：闭起双眼如果你人间蒸发的话，爱你的人会过得怎样？　　已有两个小孩的母亲Clarisse决定日出之时静静离开她的家人，驾车散散心。她本只打算歇一歇，谁不知一个又一个礼拜过去，甚至好几个月她也从未回过家。Clarisse途中没有遇过什么改变一生的人和事，反而旅途中她不断回忆起家人。难道世界少她一个人就会塌下来吗？

介绍：The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years. At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with. But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood. I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential. by D.R.

介绍：是一部关于卡洛斯的艺术之家故事片，他是一位住在伦敦的受折磨的艺术家卡洛斯遇到维罗妮卡，一个另一个世世的女人时，对生活的看法发生了变化。

介绍：入围第71届柏林电影节德国电影视角单元　　As she enters retirement, a mother leaves behind her solitary life in rural Germany and memories of a once perfect family life and travels to protest-ridden Hong Kong, a place that has kept her son away from her for many years.