介绍：Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.　　The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).　　The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.　　The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.　　Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.　　Roger Philip Mellor

介绍：莱斯莉与儿子乔纳斯一起生活，日子过得十分艰辛：丈夫过早去世，收入微薄，入不敷ccc最后，连缴房租都困难的她只有靠家人朋友的救济度日。莱斯莉意识到不能再这样下去了。这时，朋友纳塔利给她出了近似疯狂的主意，那就是：与一个叫库非的男人假结婚。库非刚刚丢了工作，同时也失去了他在德国的居留权，也就是“蓝卡”。从他们二人目前的状况来看，假结婚确实是个完美的选择。莱斯莉可以得到2万欧元，而库非也可以继续留在德国。移民局官员艾德蒙德对他们的婚姻产生怀疑并展开调查。为了摆脱嫌疑，莱斯莉和库非不得不进入角色，像真夫妻一样时刻粘在一起。随着了解的加深，他们发现自己竟然假戏真做，爱上了对方，但却为时已晚：他们的假婚姻被揭穿，库非必须马上离开德国……

介绍：A businessman heads to Cuba and gets caught caught up in an assassination conspiracy.

介绍：《圣彼得堡，我爱你》讲述了发生在一座真实且生机勃勃的城市里的七段故事，这些故事让你相信奇迹的存在这个城市的屋顶可供你跳舞，这个城市的铜像栩栩如生，城市的诗人约瑟夫·布罗茨基可以因拍摄以他为题的一部影片焕发新生。每个短片故事都是关于爱与孤独，希望与好运的讲述。这是一场七位女性导演为涅瓦河上的城市——圣彼得堡献上的镜头盛宴。

介绍：饱受战争创伤的雇佣赏金猎人柯林斯，被迫前往伦敦，追捕一名被指认变节的中情局特工，并欲破获纠缠其间的俄罗斯核弹头与金钱交易案件