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全部共66个相关视频1/14

幽灵之国的囚徒正片

标签:动作 惊悚 恐怖 

导演:园子温

主演:尼古拉斯·凯奇,索菲亚·波多拉,尼克·卡萨维蒂,比尔·莫斯利,坂口拓,小川辉晃,马修·乔齐克,Takato,Yonemoto,Narisa,Suzuki,Canon,Nawata,Jai,West,Charles,Glover,Grace,Santos,Jeffrey,Rowe,Yurino,Lorena,Kotô,Shin,Shimizu

介绍:故事讲述一名被绑架的女孩([波多拉饰])消失在了黑暗超自然宇宙中,臭名昭著的罪犯英雄(凯奇饰)被派去解救她他们必须打破束缚他们的邪恶诅咒才能逃避统治鬼域的神秘幽灵。

豆家族正片

标签:喜剧 

导演:南棋雄

主演:金秉玉,Yoon,Da-kyeong,Shim,Eun-jin,Seo,Hyo-myeong,Kim,Dong-beom

介绍:4年刑满之后,JangBaek-ho出狱了他的梦想是开一家面馆,却发现账户里的钱不翼而飞。然后,妻子和兄弟姐妹给他带来的麻烦事却一桩接一桩......

看脸时代全8集

标签:剧情 爱情 动画 日韩动漫 

导演:未知

主演:沈圭赫,韩信,柳承坤,黄长荣,Jae-heon,Jeong,Ryu,Seung-gone,Shim,Kyu-hyuk,Nam,Doh-hyeong,Sa,Moon-young

介绍:在这个注重外表的社会,一名边缘人高中生意外可在颜值有天壤之别的两具身体之间切换,就此展开双面人生

紫蝴蝶正片

标签:剧情 爱情 历史 战争 

导演:娄烨

主演:章子怡,刘烨,仲村亨,冯远征,李冰冰,王凯,谢承颖,姚安濂,Felicia,Pullam,Seiichiro,Hashimoto,高昊

介绍:1928年,伪满洲国的日本翻译伊丹英彦(仲村亨)离开中国情人丁慧(章子怡)返回日本,数年后他再回中国来到上海时,变身高级特务而此时丁慧已成为地下抗日组织的成员,并与该组织首领谢明(冯远征)相爱。抗日组织去火车站接从外地聘请的暗杀日本情报人员山本的杀手时,误认其为小职员司徒(刘烨),混乱中,丁慧杀死司徒女友依玲(李冰冰),司徒则被伊丹英彦抓获。  对一系列遭遇无比迷惑的司徒被释放后,发誓要为依玲报仇。丁慧与伊丹英彦重逢,成为两股势力互相设局要利用的重要棋子,她本人正为误杀无辜饱受内心折磨。某个日本会所举办的舞会上,伊丹英彦告诉丁慧山本与谢明均已死,丁慧震惊想刺杀伊丹英彦之际,司徒持枪闯进舞会。

残酷正片

标签:恐怖 

导演:广濑贵士

主演:Katrina,Grey,仁科贵,亚矢乃,Naho,Nakashima,Butch,Nanako,Ohata

介绍:Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.  “Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.  The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.

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