介绍：Survivors of a tragic shipping collision are rescued by a mysterious black ship which appears out of the fog. Little do they realise that the ship is actually a Nazi torture ship which has sailed the seas for years, luring unsuspecting sailors aboard and killing them off one by one.　　91　　Those who survive the ghost ship are better off dead!

介绍：A true indie film through and through, Elephants takes an authentic look at a modern relationship in a "slice of life" style, peeling away intimate layers to ask the question: how do you know when someone's right for you or rather, when it's time to move on? After a three year stint in prison, the charming but hot-headed Lee Riley returns to Los Angeles to win back the girlfriend he left behind, alluring and headstrong Kate Caldwell. Despite having moved on and grown into an independent woman, Kate agrees to let him stay while he looks for an apartment and soon enough, the pair falls back into their old patterns, losing themselves in an ardent relationship once more. Yet, as the free-spirited nature of their romance starts to tear down the life Kate has built, she finds herself losing her new identity but unable to let Lee go. Likewise, Lee starts to wonder if the buoyant memories from their past are preventing him from growing up and becoming something more

介绍：A majestic film in which two stories easily fit. One about a filmmaker who is a little like Diaz himself and wrestles with the completion of his film and with greedy film festival programmers. And one about a religious leader. Also a little like Diaz himself? The films of Lav Diaz often tell serious epic stories, but they are still not entirely free from humour and satire. For instance in this film, Diaz takes the mickey out of festival programmers and also sketches a picture of himself that is not entirely free from self-mockery. The film has two or three stories (also a film in the film) and one of them focuses on the filmmaker Homer, who very much resembles Lav Diaz himself. The tortured filmmaker wrestles with completing his film. Despite pleas from those around him and from eager programmers, he continues to refuse to regard his film as finished. Alongside the story about a nun in the film on which Homer is working, there’s another story about the religious leader Father Turbico. Turbico leads a sect in the countryside that is primarily made up of young women. When one of the women wants to leave the sect, a dramatic situation ensues. By telling the stories in parallel, similarities become visible between Homer’s struggle with cinema and Turbico's struggle with faith

介绍：电影版是根据游戏CG重新剪辑而成的，一共三部影片，包括： . 《莎木1：横须贺》（90分钟） 《莎木2（上）：龙之形》（120分钟） 《莎木2（下）：凤之影》 （120分钟） . 《莎木》电影版（Shenmue: The Movie）之前在日本和亚洲一些地区正式上映，电影版抽取了DC游戏《莎木一章 横须贺》里的大量过场 动画加于编辑制作，集合为一部基本忠实地反映了原作内容的电影。 故 事 1986 年的横须贺，一位神秘的来访者打破了芭月凉一直以来的 平静生活——芭月凉的父亲被一名身穿深绿色中国服，名叫蓝帝的人所杀，而这人更夺走了一个刻有龙的镜子。为了报杀父之仇，凉到处寻找蓝帝的下落，并在无意间发现父亲的遗物里发现了一封“朱元达”的信，信里更表示如果他遇到危险的时候，就要找一位名叫陈大人的人。 凉凭着这个线索了解了蓝帝所属的蛮尤门，更发现了重要的“凤凰镜”，可惜的是最后凉发现蓝帝已离开了日本前往香港，在陈大人的帮助下，凉也开始动身向香港进发，在临行前，陈大人把一封介绍信交给凉，叫他到香港后找一位桃李少老师，桃李少老师那里会有有关朱元达的资料，就这样，带着复仇的愤怒和一点点的不安，凉来到了香港…… 分析 SEGA推出电影——《莎木》，当凄美的二胡在片尾的离别雪景中奏响的时候，相信世嘉迷心中会弥漫着一股让人唏嘘不已的感受，这种感受久久不能散去，从这部《莎木》电影版中，可以看到了昨日世嘉的远去，同时又看到了新生的希望。下面来着重讨论两个问题： A：“游戏电影”与传统电影表现手法的差异 B：《莎木》电影版真正的商业目的与未来PC平台对世嘉的重要性 与《TR》、《FF》在电影中仅使用原游戏叙事手段、人物作为线索不同的是，《莎木电影版》的整体构建在DC大作《莎木》与SEGA精神之上，再现的成份远远超过再造的成份。 《莎木》游戏是被按照“FREE”标准设计的游戏类型，其实质就是以主机与电视机屏幕为媒介，构建一个完全虚拟的现实世界——屏幕中你看到的任何地方都可以去、在现实中可以做的任何事情都可以在《莎木》中实现。说起来非常简单，但是即便以世嘉的研发实力，实现其游戏特征也是及其复杂的——第一章《横须贺》在开发阶段就做了整整四张碟片，何况这才只是整个游戏的续章，其整个内容的庞大可见一斑。最终，不可思议的“虚拟化现实”确实在游戏中得到了实现，但是其代价是巨大的，从游戏性角度上看，巨大的游戏内容与场景即便是在单线形发展剧情限定下都会让游戏主旨出现偏离，新鲜感只能从玩家进入一个全新场景之后维持很短一段时间，玩家的游戏感受蜕变为了感观在不断的陌异化中从兴奋向枯燥的循环过程。从游戏的价值来看，显然SEGA DC主机惨淡的销量确实需要强劲的软件来刺激，他们将宝全部押在了《莎木》身上，而《莎木》游戏性上一对辨正的矛盾注定它不可能成为《MGS2》这样的主机销量强心剂作品。《莎木》制作费用到后期已经让制作者预料到了“不管将来卖多少都会赔钱”，但是他们依旧倾注了大量的人力物力来完善游戏品质，为的只是存于虚幻中、根本就不可能实现的“刺激DC主机销量”目标，可见当时的SEGA已经陷入了一种绝望。给一个毫无希望的游戏大输血，有人说SEGA这种举动是“为了完美的艺术将《莎木》化作自己的绝唱”，我想任何一间商业公司都不可能放弃自己利益去哗众取宠吧，不恰当的说，也许“绝唱”应该是绝望的嘶喉才对。最终我们看到的事实不是DC热卖，而是《莎木》彻底拖垮了SEGA，最终不得不放弃主机，转型为纯软件研发厂商。对于这样一个拥有庞大架构、却费力不讨好的游戏，它与电影的特征是有矛盾的，而这些特征，在《莎木电影版》中被完全的展现出来

介绍：本片为哈萨克斯坦俄语片，是韩国已故导演金基德生前完成的最后作品。导演在这部电影中有别以往的关注了女性在社会中普遍存在的性别问题，女主人公的不同精神面与家庭成员、交往男性的反复接触、对抗将原本分裂的两面逐渐拉近到一个能互相理解、重叠的层级，最终达成“溶解”，两位女性主演都有较为出色的表现，值得观赏与玩味。（華堅馮力士