介绍：55岁的马里奥在一间停尸房里工作，他有时也会写一点验尸报告1973年中期，智利发生了一场大规模的政变。这段时间里，他疯狂地迷恋上了自己的女邻居南希。南希是一家夜总会的舞女。

介绍：London. Jarvis Dolan is a charismatic host of a radio show named The Grim Reality, about news and actuality. Loudmouth, fun and ruthless in his speeches and comments, Jarvis is the most important radio star of the moment, entertaining the audience throughout the early morning with his intelligent programs on hot topics. Previous the job, Dolan is required by his boss Norman Burgess to have a brief talk about the fate of the program by the recent poor ratings, that reporting Dolan to accept to his former partner, Andrew Wilde, as co-host, in an attempt to improvement the show. Going they two to the studio, Wilde meets Dolan's assistants, Anthony and Claire, who work making the show behind the micros. But when Dolan tries to start the program while he waits for Wilde, who had to go out a little before to back more later, he finds suddenly trapped by the circumstances two masked men have assaulted the radio station at gunpoint and kidnapped Anthony and Claire, making him to keep the ...

介绍：圣诞假期临近，居住在悉尼的格蕾丝（戴安娜·格雷恩 Diana Glenn 饰）和丈夫亚当（安迪·罗德雷德 Andy Rodoreda 饰）及她的妹妹李（梅芙·德莫迪 Maeve Dermody 饰）前往澳大利亚北部——一个有鳄鱼出没的生态公园度假公园内人潮攒动，欢乐气氛四处蔓延。这三个酷爱冒险的人相中了死水巴里河，于是决定次日向那里进发。他们错过了开往巴里河的游船，于是乘坐当地人吉姆（本·奥克森伯德 Ben Oxenbould 饰）的摩托艇驶往目的地。风和日丽，清爽时节，他们一心欣赏优美的自然风光，却完全忽视危险的存在。突然，小船遭到鳄鱼袭击，吉姆落水，格蕾丝他们就这样被困在了这个隔绝之地……　　本片根据真实事件改编，并荣获2007年墨尔本地下电影节最佳摄影和最佳导演奖。

介绍：电影讲述，乔波拿马拥有过人的音乐天赋，他的父亲希望他在这方面能有所建树，但乔自己却希望能成为一名拳击手为此他说服濒临破产的拳击经纪人汤姆穆迪给他一个机会。在汤姆穆迪专业的指导下乔迅速上升，不久就成为著名拳手。但是“打假拳”的问题开始困扰乔，黄金男孩该何去何从呢。

介绍：Following the success of their feature debut Jennifer’s Shadow (2004) – an exercise in American Gothic set in a scary land called Argentina – Pablo Parés and Daniel de la Vega worked for a US company on a post-mega-disaster wasteland zombie film in which South America had been turned into an all-purpose, all-materials junkyard, with the undead as the last humane entities around (forget about the humans here!).　　The project never materialised, but Diego Parés, Pablo’s brother, started to write and draw a comic series based on the screenplay – which so far remains a ruin, as only parts were finished and published. The ECish beauty and balls of Diego P.’s labour of love have now been congenially transformed by the directorial duo into a delightfully old-(1970s)school low-budget production, closer to Romero and Dante than Fulci and Lenzi. And the IFFR audience is in for the treat of treats they get to see the film and can also enjoy the unfinished comic in an exhibition.