介绍：影片通过一系列片断回忆一位老人所迷恋的一位极其高傲的女性故事背景是幻想中的西班牙狂欢节。在咖啡馆中，老人把经历对游行中遇到的年轻朋友娓娓道来，这位年轻人同样是个伤心人。尽管他发誓不会重蹈老人的覆辙，但是却依然对傍晚与情人的约会期待万分。美艳绝伦的西班牙女郎，令男人神魂颠倒；位高权重的军卫被逗得心痒难耐，为她大洒金钱，只落得被玩弄摆布，与情敌决斗更差点赔上性命。　　同一小说，在布纽尔手中成了超现实的《模糊的情欲对象》（1977）；史登堡亲自掌镜，双面娇娃的勾魂媚态，在如梦似幻光影下更教人欲拒还迎。是女人变幻无常，还是男人执迷自虐，才是情欲嘉年华的真实色相？大导与女神最后一次合作，虽面对外交风波与道德批判（十七分钟片段被剪），玛莲德烈治却自言是最心爱电影。

介绍：This utterly gorgeous Gothic melodrama would be widely hailed as a masterpiece, had it not been made in Italy during the Mussolini regime. A gross injustice, as Malombra - unlike Piccolo Mondo Antico, Mario Soldati's earlier film of an Antonio Fogazzaro novel - contains not one moment of triumphalist flag-waving or Fascist family values. Oddly akin to Rebecca in its atmosphere of death-haunted romance and voluptuous doom, it reaches a peak of visual refinement of which Hitchcock could only dream.　　Its star is Isa Miranda (famous, and not without reason, as Italy's answer to Garbo and Dietrich) playing a headstrong but unstable young noblewoman, confined by her uncle to a gloomy villa on the shores of Lake Como. A yellowed and crumbling letter, found in an old spinet, convinces her that she is the reincarnation of her uncle's first wife - another troubled beauty who died a virtual prisoner after being caught in a forbidden love affair. When a handsome young writer (Andrea Checchi) comes to stay, Miranda decides that HE is the reincarnation of the dead woman's lover. Gradually, she lures him into her web of sex and revenge...　　What more to say without spoiling the fun Miranda gives a performance to rival any of the great divas of Hollywood. Only Davis and Stanwyck, perhaps, could play a bad girl so boldly without losing all sympathy. The evocation of 19th century aristocracy, in its full decadent splendour, is visually and dramatically flawless - a model for such later Italian gems as Visconti's Senso and The Innocent.　　It helped, perhaps, that Soldati himself was a leading novelist. Blessed with an absolute respect for the classics he adapted, but in no way inhibited by them. He was also the guiding spirit of the now-forgotten 'calligraphic' movement, which brought the Italian cinema to such wondrous aesthetic heights during World War Two, only to collapse before the horror of Neo-Realism. Can we blame Soldati for giving up film-making in disgust and going back to writing novels　　So if you've ever felt (as I do) that Rossellini's much-touted Rome - Open City is the work of an amateur...well, Malombra is the film you have to see!

介绍：故事发生在17世纪中叶的美国，美丽的海丝特（森塔·伯格 Senta Berger 饰）遵循丈夫罗杰（汉斯·克里斯蒂安·布勒希 Hans Christian Blech 饰）的指示，只身一人来到了一座地处偏远的小镇生活，在这里，海斯特邂逅了名为亚瑟（洛乌·卡斯特尔 Lou Castel 饰）的牧师海斯特和亚瑟之间产生了非常猛烈的化学反应，可是海斯特碍于自己已婚的身份，而亚瑟亦被自己牧师的职业所束缚，两人间虽然电光火石，但发乎情止于理，都没有进一步的举动。　　直到有一天，海瑟特得知罗杰在一场海难之中死去了，恢复了自由之身的她对亚瑟的感情终于如同决堤的潮水一般，将所有的理智淹没了。之后，海斯特怀上了亚瑟的孩子，她遭到了逮捕，并冠以通奸罪的罪名，然而为了保全亚瑟，海斯特无论如何也不肯供出孩子父亲的名字。