介绍：Appraiser Rachel (Lindsey Shaw) receives the news that her top-notched client wants to buyout a small town's beloved library to build a resort and spa on the land. Rachel is completely against the idea of leaving NYC but loses the argument to her boss. So Rachel packs her bags and flies out to California. During her first visit to the library she runs into writer, Jake (Derek Theler), who is researching the tale of Captain Black Bart's hidden treasures for his next novel. With hopes of saving the library, Mrs. Archer (Rachel Ticotin), the librarian, pushes Jake to show Rachel what the library means to the town. Jake's already got a lot on his plate with his research and taking care of his niece, Hailey (Chiara Aurelia), and nephew, Noah (Max Page), for the summer but he agrees to help out. As Rachel learns what the library means to the community she must find away to save it before it's too late.

介绍：一条美人鱼从太平洋上被撕裂，尾巴被切掉，她被扔进了一个精神病院，在那里没有人相信她是美人鱼

介绍：頂尖駭客傑克德隆（馬汀麥肯）與他的同伴長期關注環境保護議題，並推出專門揭露弊端的網站為了喚起人們對環保的重視，他們決定同時綁架跨國企業總裁、石油大亨、環境部長和一名神秘女子，讓這四人在直播鏡頭前陳述自己的罪行，並由觀眾投票表決是否有罪…

介绍：妻子去世后，克劳德在与秘密生活在一起时，表面显得正常,实际上内心挣扎.

介绍：Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001 A Space Odyssey.　　In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.　　The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.