介绍：根据屠格涅夫中篇小说《木木》改编　　木木是一个简单的音节，庄里的哑巴也能把它发得很好；木木是格拉西姆的小影子，永远一摇一摆跟在他身后。木木是一条欢快的小狗，与格拉西姆相依为伴，格拉西姆是一个说不了话的农奴。　　格拉西姆爱上了帮工姑娘，姑娘也钟情于他，谁料女主人闲来无聊乱点鸳鸯谱，上演一出“棒打有情人”，仿佛农奴只需要繁衍，而无爱之需求。伤心之余的格拉西姆捡到一条小狗，饲养宠爱，成为他生活下去的唯一凭藉，亦得不到假心慈悲的女主人许可。他只得亲手勒死无辜的小狗、远走他乡。地位与感情的不对等，使得格拉西姆看来分外悲怆，难道他就没有付出感情的权利了吗？而那些满口仁义的人，却连一只小动物都不肯放过，最是令人愤恨。　　这部电影讲述了粗糙的人所拥有的细腻感情，但他却囿于低贱身份，除了一身气力无所凭恃，终究被人横刀夺爱。格拉西姆的农奴出身，预示了他不可能掌控自己的命运，一切都在贵族女主人的一己好恶中被剥夺。屠格涅夫本人出身贵族家庭，却在小说《木木》里狠狠嘲讽了一把病怏怏且自我中心的贵妇人作风，这作风也是太过随心所欲，那附属其上的农奴和女工们完全像蚂蚁一样，任其摆布。据说这贵妇人原型就是屠格涅夫的母亲，格拉西姆也确有其人，是他们家的一个聋哑看门人。　　本片忠实地还原了格拉西姆的隐忍与无奈，惜字幕暂缺，但读过《木木》朋友，可以在影像中拾得一份熟悉的牵挂。　　【屠格涅夫简介】　　生于奥廖尔省的世袭贵族之家，母亲是当时奥廖尔省最大的地主贵族。自1833年，先后就读于莫斯科大学、圣彼得堡大学和德国柏林大学。屠格涅夫是19世纪俄 国西派知识分子的典型代表，主张废除包括农奴制在内的不平等封建制度，但同时反对使用暴力革命手段改造社会。成名作是发表在《现代人》杂志上的系列短篇随笔《猎人笔记》。屠格涅夫的著名作品《罗亭》、《阿霞》、《贵族之家》、《前夜》、《父与子》、《烟》和《木木》等对俄罗斯和世界文学发展都产生了一定影响。

介绍：为了拯救罹患重病的母亲，女大学生米拉（莫迪埃夫罗西娜 饰）跟一群朋友前往偏远的山村「舞者村」，要将母亲收藏的手环归还给守护当地的妖怪「巴达拉乌希」（奥若拉莎拉 饰），结果却意外引发一连串恐怖的遭遇……

介绍：This utterly gorgeous Gothic melodrama would be widely hailed as a masterpiece, had it not been made in Italy during the Mussolini regime. A gross injustice, as Malombra - unlike Piccolo Mondo Antico, Mario Soldati's earlier film of an Antonio Fogazzaro novel - contains not one moment of triumphalist flag-waving or Fascist family values. Oddly akin to Rebecca in its atmosphere of death-haunted romance and voluptuous doom, it reaches a peak of visual refinement of which Hitchcock could only dream.　　Its star is Isa Miranda (famous, and not without reason, as Italy's answer to Garbo and Dietrich) playing a headstrong but unstable young noblewoman, confined by her uncle to a gloomy villa on the shores of Lake Como. A yellowed and crumbling letter, found in an old spinet, convinces her that she is the reincarnation of her uncle's first wife - another troubled beauty who died a virtual prisoner after being caught in a forbidden love affair. When a handsome young writer (Andrea Checchi) comes to stay, Miranda decides that HE is the reincarnation of the dead woman's lover. Gradually, she lures him into her web of sex and revenge...　　What more to say without spoiling the fun Miranda gives a performance to rival any of the great divas of Hollywood. Only Davis and Stanwyck, perhaps, could play a bad girl so boldly without losing all sympathy. The evocation of 19th century aristocracy, in its full decadent splendour, is visually and dramatically flawless - a model for such later Italian gems as Visconti's Senso and The Innocent.　　It helped, perhaps, that Soldati himself was a leading novelist. Blessed with an absolute respect for the classics he adapted, but in no way inhibited by them. He was also the guiding spirit of the now-forgotten 'calligraphic' movement, which brought the Italian cinema to such wondrous aesthetic heights during World War Two, only to collapse before the horror of Neo-Realism. Can we blame Soldati for giving up film-making in disgust and going back to writing novels　　So if you've ever felt (as I do) that Rossellini's much-touted Rome - Open City is the work of an amateur...well, Malombra is the film you have to see!

介绍：一名网红和朋友们在遭受残暴的袭击幸存下来的一年后发现自己再次陷入一个危险的黑暗网络可怕组织的包围之中，这个组织想要不惜一切代价向她们进行复仇

介绍：另类的爱情故事，肢体纠结的情色语言　　1957年，原纳粹军官Max（Dirk Bogarde 饰）隐姓埋名，在维也纳一家酒店当午夜守门人。某日，他遇到著名指挥家的妻子Lucia（Charlotte Rampling 饰），往事排山倒海而来。　　原来，Lucia是纳粹集中营的幸存者，当年是Max的性奴，也是他的情人，Max对她一直念念不忘。　　Max趁Lucia外出演出，和Lucia重逢，随即将她接到了自己的公寓，二人迅速恢复了往日的关系。　　于此同时，Max所属纳粹余孽小团体也在寻找Lucia，想除掉这个有力的证人，Lucia的丈夫也因为妻子失踪而报警。Max走投无路，只能囤积了大量食品在公寓里，和Lucia足不出户，靠性爱彼此安慰，忘记现实的困境，等待终将来临的救赎或者毁灭。