介绍：本片讲述的是一位落魄大厨和一位美女小说作家意外邂逅而碰擦出爱情火花的动人故事　　A celebrity chef who is getting over a bad review and a romance novelist who can't seem to get her next book started meet accidentally at a French villa.　　(正在采用)

介绍：帕里斯（罗伯特·卡明斯 Robert Cummings 饰）和德雷克（罗纳德·里根 Ronald Reagan 饰）是青梅竹马的玩伴，虽然他们的性格大相径庭，但两人之间的感情却非常的要好帕里斯爱上了医生亚历山大（克劳德·雷恩斯 Claude Rains 饰）的女儿卡桑德拉（贝蒂·菲尔德 Betty Field 饰），然而，卡桑德拉却被严厉的父亲软禁在家中，十分的痛苦。　　那边厢，个性轻浮的德雷克邂逅了名为路易斯（南茜·科曼 Nancy Coleman 饰）的女子，当德雷克前往路易斯家提亲时，他因为自己的风流韵事而遭到了路易斯家人们的拒绝。之后，德雷克又遇见了兰迪（安·谢里登 Ann Sheridan 饰），虽然兰迪出身于一个非常贫穷的家庭之中，但是两人还是很快就坠入了情网。

介绍：影片的主人公是年近30岁的5位年轻人，他们终日游手好闲，热衷于恶作剧并沉溺于梦幻般不切实际的计划里其中最年长的浮士德让最年少的摩拉德的妹妹桑德拉怀了孕，基于责任心及周围人的力劝而结了婚。浮士德在一家古董店工作，但因为恶习不改企图勾引店主的老婆而被解雇。一天，桑德拉得知浮士德带着一名舞娘到一家廉价的旅馆过夜，于是第二天她带着孩子离家出走；狼狈的浮士德第一次感到桑德拉的重要性。于是和她的兄弟四人拼命寻找桑德拉的下落，终于找到桑德拉的浮士德一边遭到父亲的痛斥；一边恳求桑德拉的原谅。见到二人重修旧好的摩拉德在次日清晨不辞而别，踏上了自己的旅程。

介绍：In the Olympic Athlete Village, a young cross-country skier bonds with a volunteer doctor after her competition ends. Starring Nick Kroll and Alexi Pappas. Filmed on location in the actual Olympic Village at the 2018 PyeongChang Winter Olympics with three people comprising the entire cast and crew Jeremy Teicher, Nick Kroll, and Alexi Pappas. Real Olympic athletes, including Jamie Anderson and Gus Kenworthy, also make their way into the film as additional characters.

介绍：康沃尔渔村的风景明信片田园诗误导了人们虽然过去钓鱼是一种养家糊口的方式，但如今富有的伦敦游客纷纷下山，取代了当地人，当地人的生计因此受到威胁。史蒂文和马丁兄弟的关系也很紧张。马丁是一个没有船的渔夫，因为史蒂文开始用它来为一整天的游客提供更赚钱的旅游。他们卖掉了这座家庭别墅，现在看来，最后一场战斗是和新主人在海边的停车位上展开。然而，情况很快就失控了，而不仅仅是因为车轮夹钳。　　Bait是一种黑白，手工制作，16毫米胶片制作的电影。许多关于鱼、网、龙虾、长靴、绳结和渔篮的特写镜头让人想起了蒙太奇景点的理论。对不同社会阶层的描述——可以说是阶级关系——也让人想起了英国电影中的社会现实主义传统。然而，最重要的是，在影像中不同层次的电影历史参考文献之下，当前许多政治关联正在等待被发现。　　The picture-postcard idyll of the Cornwall fishing village is misleading. While fishing used to be a way of supporting oneself, wealthy London tourists have now descended and are displacing the locals, whose livelihood is thus threatened. The relationship between brothers Steven and Martin is also strained. Martin is a fisherman without a boat, since Steven started using it for far more lucrative tours for all the day-trippers. They’ve sold the family cottage and now it seems that the final battle to be fought is that with the new owners over the parking space next to the sea. Yet the situation soon gets out of hand, and not just because of the wheel clamp.　　Bait is a black-and-white film shot on hand-processed 16mm. Numerous close-ups of fish, nets, lobsters, wellington boots, knots and catch baskets bring to mind the theory of a montage of attractions. The depiction of the different social strata – one could speak of class relations – is also reminiscent of the tradition of social realism in British cinema. Above all, however, a whole lot of current political relevance is waiting to be discovered beneath the different layers of film historical references contained in the images.