介绍：安娜（阿拉·拉里奥诺娃 Alla Larionova 饰）是出生在贫穷人家的女孩，为了自己的家人们能够过上好日子，安娜出卖了自己的灵魂和肉体，嫁给了名叫莫德斯特（米哈伊尔·扎罗夫 Mikhail Zharov 饰）的男人莫德斯特是一个彻头彻尾的小人，对安娜根本就没有真正的感情，在他的眼里，安娜不过就是一个可以任其宰割和操纵的傻女人罢了。　　虽然安娜十分厌恶莫德斯特的贪婪和无耻，但她并不敢做出越雷池半步的举动，当莫德斯特利用安娜的美貌获得了上司的认可步步高升之后，安娜突然意识到了自己的价值，并且一改从前对待莫德斯特唯命是从的态度，开始对丈夫进行无情的报复。

介绍：This utterly gorgeous Gothic melodrama would be widely hailed as a masterpiece, had it not been made in Italy during the Mussolini regime. A gross injustice, as Malombra - unlike Piccolo Mondo Antico, Mario Soldati's earlier film of an Antonio Fogazzaro novel - contains not one moment of triumphalist flag-waving or Fascist family values. Oddly akin to Rebecca in its atmosphere of death-haunted romance and voluptuous doom, it reaches a peak of visual refinement of which Hitchcock could only dream.　　Its star is Isa Miranda (famous, and not without reason, as Italy's answer to Garbo and Dietrich) playing a headstrong but unstable young noblewoman, confined by her uncle to a gloomy villa on the shores of Lake Como. A yellowed and crumbling letter, found in an old spinet, convinces her that she is the reincarnation of her uncle's first wife - another troubled beauty who died a virtual prisoner after being caught in a forbidden love affair. When a handsome young writer (Andrea Checchi) comes to stay, Miranda decides that HE is the reincarnation of the dead woman's lover. Gradually, she lures him into her web of sex and revenge...　　What more to say without spoiling the fun Miranda gives a performance to rival any of the great divas of Hollywood. Only Davis and Stanwyck, perhaps, could play a bad girl so boldly without losing all sympathy. The evocation of 19th century aristocracy, in its full decadent splendour, is visually and dramatically flawless - a model for such later Italian gems as Visconti's Senso and The Innocent.　　It helped, perhaps, that Soldati himself was a leading novelist. Blessed with an absolute respect for the classics he adapted, but in no way inhibited by them. He was also the guiding spirit of the now-forgotten 'calligraphic' movement, which brought the Italian cinema to such wondrous aesthetic heights during World War Two, only to collapse before the horror of Neo-Realism. Can we blame Soldati for giving up film-making in disgust and going back to writing novels　　So if you've ever felt (as I do) that Rossellini's much-touted Rome - Open City is the work of an amateur...well, Malombra is the film you have to see!

介绍：83 min

介绍：1952年的苏俄还没有褪去战争的阴霾，6岁的桑亚和母亲卡嘉在一列火车上偶遇一位风度翩翩的军人托杨，于是桑亚又有了父亲　　卡嘉非常享受婚姻带给自己的甜蜜，而小桑亚似乎也开始接受这个崇尚武力的继父。但有天他们却发现托杨其实是一个以军人身份做掩护的惯偷。托杨总是带着他们奔走于各地，在一个地方混熟后，便制造机会把邻居家洗劫一空，然后又寻找新的目标。　　后来托杨因为盗窃进了监狱，在惟一的一次探访机会中，小桑亚在大雪中追赶着囚车呼喊自己的父亲。　　后来卡嘉死于难产，桑亚也进了孤儿院。多年后的一天，当桑亚再一次见到托杨时竟然内心满怀激动，然而此时的托杨已经认不出他来了。