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全部共635个相关视频78/127

皆大欢喜已完结

标签:喜剧 舞台艺术 

导演:西娅·夏罗克

主演:杰克·拉斯基,Jack,Laskey,Michael,Benz,Philip,Bird,Sophie,Duval,Naomi,Frederick,Brendan,Hughes,Trevor,Martin,加雷思·本尼特-赖恩,杰米·帕克,Dominic,Rowan,Laura,Rogers

介绍:

霍滕西亚已完结

标签:剧情 喜剧 

导演:Diego,Lublinsky,Álvaro,Urtizberea

主演:Camila,Romagnolo,Agustin,Scalise,David,Szechtman,Gonzalo,Urtizberéa,Paula,Carruega,Marcelo,Chirinos,Martín,Policastro,Ximena,Banus,Fernando,Rossaroli,Denise,Groesman,Maitina,De,Marco,Nicolás,Espinosa

介绍:女孩霍滕西亚的父亲被电冰箱的门电击死去、被老板炒鱿鱼、男朋友和她最要好的闺蜜在一起了——绝望之中,她发现了自己十四岁时写的人生目标并自此信誓旦旦:“去和一个像父亲一样拥有金色头发的男孩结婚,并设计出全世界最美丽的鞋子”然而当她没有认真去倾听自己内心真实声音的时候,事情只会越来越糟。最终她将电冰箱推向了悬崖,也不再管什么十四岁的愿望,让当下的自我去做选择。

渡鸦之间已完结

标签:剧情 喜剧 

导演:Russell,Friedenberg

主演:Amy,Smart,Will,McCormack,Natalie,Imbruglia

介绍:以孩童视角旁观成人世界的独立电影《渡鸦之间》(Among Ravens),被曾出品过《小小阳光》(娜奥米·沃茨主演)、《寂静城市》等影片的Gravitas公司买下,今日发布一支全长预告片  预告片亦以十岁女孩乔伊(Joey)的口吻出之,以群集的渡鸦隐喻身边的成人。她的母亲、继父、生父,以及其他几位朋友,每年7月4日都会在爱达荷举行一次聚会。这一年的聚会上,一个身为摄影师的新人加入,于是众人之间的秘密和过往,渐次暴露于镜头之前。  影片由曾出演《蝴蝶效应》的艾米·斯马特主演,7月18日北美上映。

连环炮已完结

标签:动作 

导演:江扬

主演:高飞,Wai-Man,Chan,Yasuyoshi,Shikamura,Martin,Ting,Ralph,Wang,Maggie,Wu,Keith,Cheng,Homer,Cheung,John,Culkin,Phillip,Ko,Herman,Kwan,约翰·拉达尔斯基,Cecilia,Lee,吕良伟

介绍:讲述来自荷兰的阿飞是个职业杀手,他来港是有两个目的第一,他接到一个格杀令,目标人物是日本山口组演员鹿村一郎。第二,他要跟青梅竹马现职高级警官的良伟重聚。他自小受父母的薰陶,对日本人极之痛恨,他毫不动容地便解决了鹿村一郎。之后,他便马上去警署跟挚友会面。当然,良伟是不知   道他背后的身份。阿飞在香港遇上了两个在九反之地阿姆斯特丹认识的江湖兄弟惠敏及丁哥。惠敏是个毒品大拆家,控制多个毒品巢穴。丁哥是大毒贩周老板的得力助手。周利用丁哥抢走惠敏不少生意,使两人水火不容。

没有和解已完结

标签:剧情 

导演:让-马里·斯特劳布,达尼埃尔·于伊耶

主演:Heinrich,Hargesheimer,Carlheinz,Hargesheimer,Martha,Staendner,达尼埃尔·于伊耶,Henning,Harmssen,Ulrich,Hopmann,Joachim,Weiler,Eva-Maria,Bold,Hiltraud,Wegener,Ulrich,von,Thüna,Ernst,Kutzinski,Karl,Bodenschatz,Heiner,Braun,Georg,Zander,Lutz,Grubnau,若阿内斯·巴尔斯基,保罗·埃塞尔

介绍:The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.

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