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十三号星期五7更新HD中字

标签:剧情 爱情 恐怖 

导演:约翰·卡尔·伯奇勒

主演:詹妮弗·班科,苏珊·布卢,拉尔·帕克·林肯,特利·奇瑟,凯文·斯派塔斯,Susan,Jennifer,Sullivan,海蒂·科扎克,凯恩·霍德尔,Staci,Greason,Diana,Barrows,Elizabeth,Kaitan,科里·费尔德曼,索姆-马修斯,金伯莉·贝克,Darcy,DeMoss,Nancy,McLoughlin,托尼·戈德温,Lauren-Marie,Taylor,约翰·卡尔·伯奇勒,Walt,Gorney

介绍:在汤米·贾维斯(Tommy Jarvis)把杰森炼锁在水晶湖底多年之后,一位有特异功能的年青人又不小心把杰森放了出来,杰森于是又回到了水晶湖营地重操旧业

再见语言更新HD中字

标签:剧情 

导演:让-吕克·戈达尔

主演:海洛依丝·戈多,卡迈勒·阿德里,理查德·舍瓦利尔,柔伊·布鲁诺,克里斯蒂安·格雷戈里,杰西卡·埃里克森,Marie,Ruchat,杰里米·赞帕蒂,丹尼尔·路德维格,吉诺·西科诺尔菲,伊莎贝尔·卡尔博诺,阿兰·布拉特,斯特凡纳·科林,布鲁诺·阿莱格尔,亚历山大·帕伊塔

介绍:开始很简单, 一个已婚女人遇到一个单身的男人, 他们相爱,吵架,哭泣 一只狗,在城市和郊外游荡。 时光飞逝。 男人找到女人。狗遇到他们。 然后第三个人物出现。 前夫破坏一切。 电影第二部分开始, 和第一部分一样, 又不尽相同。 人类变成隐喻。 结束于狗叫,和婴儿哭泣声。  ——来自@快雪时晴 翻译的戈达尔《再见语言》手稿

六个无价值的片段更新HD中字

标签:纪录片 短片 纪录 短 情 剧情 

导演:Pedro,Costa,Thierry,Lounas

主演:Danièle,Huillet,Jean-Marie,Straub

介绍:Six unused scenes from WHERE LIES YOUR HIDDEN SMILE One of the more priceless of the bagatelles in this collection features a lounging Jean-Marie Straub who gives a non-stop disquisition on liberty and filmmaking while Danièle Huillet busies herself with laundry, and their dog Melchior frisks in and out of frame.

五个女人更新HD中字

标签:剧情 惊悚 

导演:Olaf,Kraemer

主演:安娜康妮科,奥蒂妮·乔尼,Kaya,Marie,Möller,茱莉亚·迭泽,Korinna,Krauss,斯特凡诺·卡塞蒂,米基·哈特,Roman,Blomme

介绍:如果伤痛能够像壁虎的尾巴,重新愈合……过失杀人,隐藏罪责,这个命题作文真是已经被拍了无数电影本片将故事移到了浪漫南法,五个女人一起上演了一出悬疑大剧。

奥莉维娅更新HD中字

标签:剧情 

导演:Jacqueline,Audry

主演:Marie-Claire,Olivia,Yvonne,de,Bray

介绍:大概是法国第一部描写女同志的故事片吧  Olivia (also known as Pit of Loneliness) is a 1951 French film directed by Jacqueline Audry. It is based on the 1950 semi-autobiographical novel by Dorothy Bussy. It has been called a landmark of lesbian representation. Olivia arrives at a finishing school and falls in love with headmistress Mlle. Julie. Mlle. Julie feels the same, but tries to suppress her desire. For her part as Mlle. Julie, Edwige Feuillère was nominated for a BAFTA award for Best Foreign Actress in 1952.  French director Audry made 18 feature films from 1944 to 1972. Her earliest films are prime examples of the French 'tradition of quality.' She favored plots adapted from French literature. Audry is most distinguished from her peers in that her films were primarily focused upon female leads, whereas traditional French cinema is centered around the lives of men. Her most notorious film was 1951's Olivia, which dealt with lesbian relationships.

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