介绍：有一种女人，也许并非天生丽质，但却能因为创造美丽而风韵永存、百世流芳；有一种女人，不相信整容和表面眉眼的漂亮，却因人格独立、自信一生，而精彩九旬；有一种女人，不沉迷于名牌与昂贵，却能因慧眼独具而点石成金，让自己的名字成为最响亮的品牌；有一种女人，一生无后，但有爱侣终生相伴，互相欣赏生命紧扣；有一个女人，从白宫到富商巨贾，从艺术圣殿到百姓家屋，她都曾用自己独特的品味，让所装饰之处绚烂无双本片讲的是一生打扮美国、装点自己，年过九旬依旧走在时尚的顶尖，用生命实践与创造美丽传奇的一代时尚造型设计师、收藏家——艾瑞斯·阿普菲尔的故事。

介绍：比莉在追求她想要的生活时，面对着新的挑战和新的欲望但她能拥有这一切吗

介绍：乔安娜·林莉和丹妮尔·麦克唐纳(《难以置信》)主演，本·列文(《亲密治疗》)执导，讲述麦克唐纳饰演的基金经理离开了无法给她满足感的工作和交往已久的男朋友，去追寻自己的毕生梦想：唱歌剧林莉饰演的前歌剧天后则成为了她让人闻风丧胆的歌唱老师。片中将有《塞维利亚的理发师》《费加罗的婚礼》《唐璜》《罗密欧与朱丽叶》《茶花女》等歌剧中的音乐。　　该片为澳大利亚-英国合拍，已经拍完在后期制作中，会在本届戛纳电影节线上市场卖片。

介绍：故事发生在一个地处偏远的小镇之上，汤姆（Robert Milli 饰）的莫名失踪让警员约翰（唐纳德·萨瑟兰 Donald Sutherland 饰）百思不得其解，富有责任心和正义感的他决定追踪此案汤姆在失踪前曾经和一位名叫丹尼尔斯（简·方达 Jane Fonda 饰） 的应召女郎有着密切的联系，根据一封两人之间的情书，约翰来到了纽约。　　在监视丹尼尔斯的过程中，约翰在这个神秘的女人身上发现了许多可疑之处，她似乎也正在追踪着什么人。之后，又一名受害人的出现让整个案件开始变得险恶起来，而随着调查的深入，一位名叫柯博尔（Charles Cioffi 饰）的男子浮出了水面，他是否就是约翰正在苦苦寻找的那个人呢？

介绍：Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001 A Space Odyssey.　　In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.　　The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.