介绍：The 13-year-old Iqbal is a charming, imaginative and fun boy, which, according to his father, is not enough if one is to succeed in the world. But when Iqbal, his little brother Tariq (11 years) and their friend Sille, accidentally blow up their school, his father is the slightest of his problems. The two crooks, Easelman and The Swine, want to get hold of the randomly home brewed explosive and blow up Tivoli to build the biggest parking facility in Scandinavia. To blackmail the kids for the recipe the two crooks kidnap the adorable little brother Dindua (6 years). The hunt to free Dindua and save Tivoli starts - and this requires cooperation, courage and a lot of imaginative ideas, which Iqbal is an expert in delivering.

介绍：英国政府邀请抗击鲨卷风的英雄芬•谢泼德参加关于抵御鲨卷风的高级会议但他的好友诺娃在此时紧急联系他前往巨石阵探寻人类祖先抵御鲨鱼的秘密。两人在神秘洞穴中取得神器，却没想到引发了大规模的风暴，无数鲨鱼从天而降，世界各地接连遭遇灾难。芬和诺娃匆忙赶回，与半机器人的妻子阿普里尔和小儿子吉尔并肩作战。然而风暴太过猛烈，诺娃没能保护好吉尔，致使他被卷入风暴。芬和阿普里尔心急如焚，想方设法欲进入风暴救出儿子。他们被风暴带到瑞士、澳大利亚、巴西、意大利和日本，所到之处哀鸿遍野，一片狼藉。这时，被海上核废料污染发生变异的鲨鱼愈发凶猛，芬的家人朋友纷纷殉难，噩耗接踵而至。痛心疾首的夫妇二人将何去何从，他们将如何阻止灾难的继续？

介绍：乔治（史蒂夫·马丁 Steve Martin 饰）好不容易才接受了女儿已嫁为人妻的现实，本以为生活能够重新归于平静，没想到女儿怀孕的消息再度让乔治陷入了焦虑之中女儿怀孕，不仅意味着她将步入人生新的阶段，同时还意味着，乔治已经到了升格成为外公的年纪了，一种深深的危机感弥漫在乔治的心头无法挥散。　　不知是福是祸，乔治的妻子妮娜（黛安·基顿 Diane Keaton 饰）也有喜了，一边是外公，一边是父亲，被两种身份困扰得焦头烂额的乔治能够担负起自己的责任吗？在这样一个节骨眼上，不知道是哪根筋搭错了的乔治竟然将精力投入到了证明自己依旧“宝刀未老”这件事情上面。

介绍：《谁能阻挡我们》呼吁改变我们对青少年的看法；我们对那些出生于21世纪初、最近才成年的人的看法；那些现在看来对一切都抱有愧疚的人，他们亲眼看到了自己的希望破灭这部介于纪录片、小说和纯粹的证据记录之间的电影让年轻的青少年展示了他们真正的样子，我们很少看到的样子，或者他们让我们看到的样子：利用电影镜头展示他们最好的一面，重新赢得我们对未来的信任；从脆弱和情感出发，带着幽默、智慧、信念和想法。因为向我们讲述爱情、友谊、政治或教育的年轻人，不仅是在讲他们自己，而且也是在对任何年龄段的我们始终重要的事情。《谁能阻挡我们》是一部关于我们自己的电影：关于我们的过去、现在和将来。

介绍：Yuli is the nickname given to Carlos Acosta by his father, Pedro, who considers him the son of Ogun, an African god and a fighter. As a child Yuli avoids discipline and education, learning from the streets of an impoverished and abandoned Havana. His father, however, has other ideas, and knowing that his son has a natural talent for dance, sends him to the National Ballet School of Cuba. Despite his repeated escapes and initial poor behaviour, the boy is inevitably drawn to the world of dance, and begins to shape his legendary career from a young age, becoming the first black dancer to be cast in some of the most prestigious ballet roles, originally written for white dancers, in companies such as the Houston Ballet or the Royal Ballet in London.