介绍：故事发生在车水马龙的繁华大都市阿姆斯特丹，运河之中接连浮现的尸体让市民们陷入了恐慌的情绪之中，种种蛛丝马迹显示，这是一起由同一人所犯下的连环杀人案案件的负责人是艾里克警探（休伯·史塔普 Huub Stapel 饰），心中的正义感让他决心定要找出隐藏在幕后的凶手。　　在朋友约翰（Wim Zomer 饰）的协助下，艾里克将怀疑的目标放在了当地的潜水员圈子之中，他也因此结识了美丽善良的劳拉（莫妮卡·梵·德·冯 Monique van de Ven 饰）。功夫不负有心人，随着调查的深入，嫌疑人的身影终于浮出了水面，然而，在艾里克逐渐接近真相的同时，危险也慢慢地来到了他的身后。

介绍：少女在马戏团里迷上了帅气的空中飞人，两人双双跌入太阳马戏团的奇幻世界，开始了一段奇妙的旅程他们置身于如梦幻遥远国度美轮美奂的场景中，穿越不同的马戏世界，历经重重的困难，寻找彼此。

介绍：本片是特吕弗著名的“安托万系列”的第三部，但影迷通常忽视短片《Antoine et Colette》误将其认作第二部　　23岁的Antoine Doinel（Jean-Pierre Léaud 让-皮埃尔•李奥）从军队逃出后，虽侥幸逃脱惩罚，却因殴打警察入狱，不良记录对 他找工作造成妨碍，他先后做过旅店守门人、私家侦探等职业。过程中，安托万联系上了昔日女友克里斯汀。两人的感情暧昧而不确定。而按客户要求混进一家鞋店盯梢风情万种的老板娘时，他又将其迷上，感情的天平开始在两个女人之间摇摆。

介绍：少女在马戏团里迷上了帅气的空中飞人，两人双双跌入太阳马戏团的奇幻世界，开始了一段奇妙的旅程他们置身于如梦幻遥远国度美轮美奂的场景中，穿越不同的马戏世界，历经重重的困难，寻找彼此。

介绍：The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.