介绍：This utterly gorgeous Gothic melodrama would be widely hailed as a masterpiece, had it not been made in Italy during the Mussolini regime. A gross injustice, as Malombra - unlike Piccolo Mondo Antico, Mario Soldati's earlier film of an Antonio Fogazzaro novel - contains not one moment of triumphalist flag-waving or Fascist family values. Oddly akin to Rebecca in its atmosphere of death-haunted romance and voluptuous doom, it reaches a peak of visual refinement of which Hitchcock could only dream.　　Its star is Isa Miranda (famous, and not without reason, as Italy's answer to Garbo and Dietrich) playing a headstrong but unstable young noblewoman, confined by her uncle to a gloomy villa on the shores of Lake Como. A yellowed and crumbling letter, found in an old spinet, convinces her that she is the reincarnation of her uncle's first wife - another troubled beauty who died a virtual prisoner after being caught in a forbidden love affair. When a handsome young writer (Andrea Checchi) comes to stay, Miranda decides that HE is the reincarnation of the dead woman's lover. Gradually, she lures him into her web of sex and revenge...　　What more to say without spoiling the fun Miranda gives a performance to rival any of the great divas of Hollywood. Only Davis and Stanwyck, perhaps, could play a bad girl so boldly without losing all sympathy. The evocation of 19th century aristocracy, in its full decadent splendour, is visually and dramatically flawless - a model for such later Italian gems as Visconti's Senso and The Innocent.　　It helped, perhaps, that Soldati himself was a leading novelist. Blessed with an absolute respect for the classics he adapted, but in no way inhibited by them. He was also the guiding spirit of the now-forgotten 'calligraphic' movement, which brought the Italian cinema to such wondrous aesthetic heights during World War Two, only to collapse before the horror of Neo-Realism. Can we blame Soldati for giving up film-making in disgust and going back to writing novels　　So if you've ever felt (as I do) that Rossellini's much-touted Rome - Open City is the work of an amateur...well, Malombra is the film you have to see!

介绍：九岁的安娜和家人居住在柏林，1933年到来，一切都开始发生了变化，在她四周，一个陌生人的画像开始挂满在大街小巷，懵懂的安娜不知道发生了什么不久之后，她和她的家人踏上了一场逃亡之路，安娜在旅途中充满了好奇和困惑，而她也无法忘记陪伴自己童年的那只粉色玩具兔，可惜兔子早已被落在了柏林的家中，逐渐被黑暗所包围。

介绍：巴塞罗那的大学生布鲁诺（劳伦克·冈萨雷斯 Llorenç González 饰）有一个漂亮女友卡拉（阿斯特丽德·伯格斯-弗瑞斯贝 Àstrid Bergès-Frisbey 饰）但在无意撞到热情活泼的街头舞者瑞（阿尔瓦罗·塞万堤斯 Álvaro Cervantes 饰 ）后，布鲁诺被瑞所吸引，两人擦燃火花。发现真相的卡拉伤心难过，也曾考虑跟男友一刀两断，但最终出于好奇和不甘，她维持了这个三人游戏，从而开启一场全新的爱情试炼......　　西班牙新锐导演泽维尔·比利亚韦德（Xavier Villaverde）借鉴意大利名导帕索里尼的《定理》情节，构筑了一个爱情乌托邦。片中角色并不含任何价值评价，他们只是诚实拥抱生活。爱情是什么？是寻找自己的幸福，还是让被爱的人幸福？爱情的自由和伴侣的忠诚如何统一？电影没有给出回答，但它至少展示了新世代爱情的各种可能性。