介绍：丈夫长居德国，护士长普拉巴被困在有名无实的包办婚姻中，无法响应男医生对她的体贴温柔年轻护士阿努爱着穆斯林男孩，他们无法正大光明交往，却大胆偷尝禁果。两人的共同好友因寡妇身份等不到居住正义，被迫离开城市。三名羸弱女子，在孟买巨大的喧嚣里无法留下足迹，但她们依然坚毅强韧，在父权社会的日常里，用自己的方式处理问题。

介绍：Five housewives who run a high stakes secret cartel in which style, ambition, love, friendship and betrayal set in the rich 1960s Mumbai.

介绍：Playdate is based on AmericanNorwegian author Dahl’s (no relation to Roald Dahl) fourth novel.　　In Playdate, a seemingly ordinary decision turns the world of Elisa, mum to two young kids, upside down. When Elisa’s nine-year-old daughter asks to go on an overnight playdate with her new best friend, Elisa agrees. But when she says goodnight to her daughter, she has no idea that she is about to be thrust into every parent’s worst nightmare, and when Elisa goes to pick her up, she discovers that the beautiful house was a holiday rental, while her daughter has disappeared. What follows is a manhunt across Europe, while Elisa and husband Fred find themselves the object of police scrutiny.

介绍：Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.　　“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.　　The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.