介绍：杰克想要一个弟弟，但他的母亲们拒绝了他的要求，所以他抗议并试图自己去寻找小蝌蚪以达成心愿

介绍：德国柏林动物园的小北极熊克鲁特，是现在全市最受宠的小家伙，在最近一次电视台举行的投票活动中，高票当选“柏林市最重要居民”乖巧可爱的小努特每天都要吸引无数游园者的目光。小北极熊克鲁特一亮相就拥有耀眼夺目的明星风采，马上就变成柏林动物园的镇园之宝。　　这头可爱的小北极熊，有着一段凄惨的遭遇。去年12月，母熊妈妈生下克鲁特和它的孪生兄弟后，就把它们丢弃在了洞穴里。克鲁特的兄弟不久后就夭折了，而小克鲁特却幸运地被饲养员救了出来。从那以后，克鲁特的生活就大变样了，喝牛奶，吃鱼肝油，鸡汤进补，睡觉的时候抱着泰迪熊。也正是这种娇生惯养的状况，让一些动物保护人士看不惯了。他们认为这样做会破坏野生动物的天性。有的人甚至提出应该给克鲁特打毒针，让它安乐死。　　不过，看着小克鲁特一双无辜的大眼睛，实在没人下得了手。柏林动物园最终还是决定留下克鲁特。柏林动物园园长说，如今全球气候变暖，再加上人类在北极附近活动频繁，严重威胁着北极熊的生存。科学家预测，照这样下去，北极熊将在100年内灭绝。因此，可爱的小克鲁特就越发显得珍贵。　　纪录片《Knut und seine Freunde》叙述了小北极熊克鲁特如何征服全世界的故事。

介绍：故事讲述的是蝙蝠侠开始在哥谭市与黑社会展开斗争，人物设定方面，除蝙蝠侠外，动画里并没有出现观众们耳熟能详的反派，而布鲁斯·韦恩和他的管家阿尔弗雷德也只是让人惊鸿一瞥而已但就动画而言，该作动作流畅，角色醒目，制作精良，仍然堪称一部优秀的动画。 白天，他是别人眼中的无脑富二代、花花公子；晚上，他是令罪犯闻风丧胆的黑暗骑士——蝙蝠侠。

介绍：airplanes have replaced cars, numbers have replaced names, pills have replaced food, government-arranged marriages have replaced love, and test tube babies have replaced ... well, you get the idea. Scientists revive a man struck by lightning in 1930; he is rechristened Single O. He is befriended by J-21, who can't marry the girl of his dreams because he isn't distinguished enough -- until he is chosen for a 4-month expedition to Mars by a renegade scientist. The Mars J-21, his friend, and stowaway Single O visit is full of scantily clad women doing Busby Berkeley-style dance numbers and worshiping a fat middle-aged man.

介绍：The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.　　Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.　　The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments.　　In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.　　On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.　　Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.　　The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.