介绍：由瓦尔丹·托兹加编剧执导，主要讲述年轻人在犯罪道路上的经历在一个由权力决定公平的国度，主人公菲利浦生活在青少年收养中心，在一个腐败警察的胁迫下，他被迫参与了一次可怕的案件，因而产生无法痊愈的心理创伤。尽管菲利浦拥有其老师的帮助、收养中心的照料、朋友佩塔尔的安慰，他最终还是未能战胜那次案件后的心理创伤带给他的痛苦。痛苦吞噬了他的理智，产生复仇之念，致使他将更多年轻人拉入他残酷命运的深渊。最终菲利浦通过其暴力、凶猛的手段，将迷失的年轻人带进了黑暗、暴力的犯罪世界。

介绍：名列「文艺复兴三杰」之首的米开朗基罗，从小展现对艺术的极高天分，更受到当时最具权势的麦迪奇家族拔擢不料命运多舛，提拔他的知己罗伦佐竟突然辞世，顿失依靠的他，回到修道院后改学解剖，竟意外开启人像雕塑的崭新境界…。以壁画《创世纪》、《最后的审判》及雕塑《大卫像》奠定了他在艺术史上破天荒的地位。这些强烈的艺术风格，甚至影响数个世纪的艺术家们，迄今仍无人能超越其成就。

介绍：A passionate 26-year old BMX dirt jumper, Phineas Cooper, gets the chance of a lifetime to compete at the regional level to qualify for nationals. But his pursuit of triumph sours with a crash that knocks him out of commission. Determined to get back on track for the next major competition, he undergoes physical therapy for a couple months. In the meantime, he is ordered by court to complete community service for many unpaid citations for reckless street riding. He is forced to volunteer at a local youth center for at-risk teenage boys, and meets Jordin Riley, a beautiful humanitarian. To impress her, Phin decides to sign up for mentorship and handpicks one of the toughest boys named Blue Espinosa, a 14-year old whose mother is a heroin addict, and whose father was gunned down. As Phin takes Blue under his wings, he and his friends lead him on adventures of riding dirt trails, big jumps and cityscapes..

介绍：与Stefan Uher和Elo Havatta一样，Eduard Grecner也是60年代斯洛伐克新浪潮电影的缔造者之一他的三部影片《一周七天》（1964）《尼绒月亮》（1965）和这部《徳拉克的回归》都是斯洛伐克新浪潮电影的代表作。这部叙事方法独特带有明显意识流风格的黑白影片甚至间接影响到了后来法国导演格里耶在捷克拍摄的两部影片《说谎的人》和《Eden and After》。　　A special place in the development of feature films is reserved for Eduard Grecner, the creator of just one good film, Dragon Returns (Drak sa vracia, 1967), titled after the nickname of the lead character. After his initial work with Uher, Grecner made his mark as a proponent of the so-called intellectual film, the antithesis of the sociologically, or rather, socially critical film. Grecner's great role model was Alan Resnais, a young French filmmaker who sought to introduce Slovakia to the idea of film as a labyrinth in which meanings are created not by stories, but by complex configurations of dialogue, shots, and various layers of time, thus differentiating film from both literature and theater. In Dragon Returns―the story of a solitary hero who is needed by villagers living far in the mountains, but who is rejected by them at the same time because of his detachment―Grecner brought the tradition of lyricized prose to life through a whole series of formal aesthetic techniques. Alain Robbe-Grillet immediately developed this idea in the film shot in Bratislava The Man Who Lies (Slovak Muz, ktory luze; French title L'homme qui ment; 1968), and perfected it in Eden and After (Eden a potom, 1970).

介绍：A small provincial town is buzzing with excitement the town's most illustrious son, a world-famous opera singer, is coming home. Meanwhile, Sebastian, a kitchen boy who is as good as married, falls head over heels in love with the new maid, Maria. Their love affair, along with rumours that the opera singer and the kitchen boy are related, turns the town upside down, threatening to ruin everyone's high expectations and the opera singer's triumphant return.