介绍：This apocalyptic parable carries within it a clear echo of the 1968 invasion of Czechoslovakia. This unforgiving exploration of the Czech mentality tells the tale of a troupe of wandering actors who perform a passion play in some unnamed village. Fear of some unknown danger breaks out in the village, which is cut off from the surrounding world. Stupidity, selfishness and aggressiveness then come to the surface in this society under threat. In the film's key scene, a woman is raped by the self-styled leader. Zdenuk Mahler, who would later work on Forman's examination Mozart Amadeus, worked on the script.　　The director Evald Schorm (1929-1988) was one of the most original members of the Czech New Wave. During the normalization era, Schorm spent many years unable to direct. His last film, Killing with Kindness (1988) was only made in the twilight years of Communism. During that period when he was unable to direct films, he became an outstanding stage director. He directed groundbreaking productions at the Na zábradlí Theater and Laterna Magika.

介绍：在新几那亚有一个岛上，因为化学工厂实验的关係，造成厂内死老鼠复活，并在咬伤工作人员后，造成该实验大楼变成僵尸横行4个SWAT队员，集体到新几内亚调查案发经过，到一个小镇后，碰到一群採访事故原因的记者，结果他们当中，有一个小孩被殭尸咬了一口，小孩在车上躺在他父亲怀裡休息时，有人开车门发现，小孩已变成僵尸，正在吃他父亲内臟；在教堂内，也发现神父已变僵尸；他们到达当地土著部落时，也发生僵尸吃土著的事件。经过一连串的逃命后，最后他们来到那栋实验大楼，终于发现是实验事故毒气外洩结果导造成僵尸，最后当然是包括男女主角在内都未能倖免于难。 本片导演Bruno Mattei在幕后花絮中说，本片参杂了《Dawn of the Dead》的一些影子，比方殭尸出现时总是一大群，还有要打头才会死。场景主要是在丛林与部落跟工厂。本片中一开头即说明造成殭尸的原因。另外本片虽然场景是在新几内亚，但一看就知道部份是合成的。应该是在欧洲拍摄的。还有这位导演原来还导了Rats(1984)以及参与Zombi3约40%的制作。本片血腥度十足，虽然现在看起来会觉得有点假，但在现在看时还是会觉得十分过癮。喜欢殭尸片又带点腥膻色的人，可以考虑一看。 ======================================================== 一场意外发生于位在新几内亚丛林裡的一座化学工厂，外洩的化学毒物导致死尸复活，复活的死尸群起攻击丛林裡的原始部落居民。一组记者巧遇另一组武装特勤部队，两队人马在丛林中与遭遇部落民族，并于设法于僵尸群中逃出生路。 超恶搞的片子，列举数个恶搞例子： 制作群不知从何搞来近似国家地理频道纪录片片段，新几内亚丛林裡的野生动物与原始部落生活就这麼活生生又突兀地剪辑入这部殭尸电影。一群特勤人员其实只是开著吉普车在西班牙乡间小径游荡，只因剪接许多野生动物纪录片入戏，感觉好像身处新几内亚丛林。不过，其实剪接得挺粗糙地。 整组人马路过一丛林部落，女主角一脸正经得跳出来说：”部落民族生性危险而不可测，姐姐有经验，要安全通过只有一个方法，我必须走在前面，单独地在前面…”。接著，冷不防，他就毫不迟疑的脱下上衣，露出美丽双峰。又接著，看到姐姐脸画成土著迷彩，只穿著树叶比基尼，又走又跳地引领整组人马通过部落。从没看过如此彻底的为脱而脱，真是够无厘头。 某特勤队员在一丛林小屋中穿起芭雷舞衣，跳了一段模仿Gene Kelly的Singing in the Rain，接著旋即变成殭尸攻击的受害者。 号称是史上大滥片之一。完成拍摄只费时5週。 其实： 是不错看的电影，该有的殭尸电影元素全具备，举凡：殭尸小孩啃老爸，殭尸群分食受害人，受害伙伴回生加害同行伙伴，欲消灭殭尸必击毁头部…等等，一应俱全。 最血腥的一段昰： 女主角受害时，特写全在脸上，舌头先被殭尸群拔出，接著手在嘴裡往上猛掏，掏得两颗眼珠爆出，够血腥。 后记： 名人导演Quentin Tarantino 在某处发表欣赏此片的谈话，重新引发世人对此陈年旧片的注意。而此片导演Bruno Mattei，自己承认已有多年未再看过这电影，只得重新翻出片子再次恢复记忆，才能体会为何昆汀塔伦提诺会喜爱此片。 此片导演Bruno Mattei的另一名作是1984年的《Rats Night of Terror》。

介绍：大型历史电影史诗《解放》由五部电影组成第二部电影《突破》讲述了1943年后半期的二战大事件。希特勒营救墨索里尼，将意大利绑在德国的战车上；红军突破第聂伯河防线，收复基辅；德黑兰三国首脑会议，决议开辟第二战场等等。

介绍：Gosha is a trucker; he delivers goods to remote Arctic parts of Yakutia. He is a monopolist and his services are expensive. His greed lures him into making a run without a backup-driver. His truck breaks down in the middle of the road. Gosha is trying to fix it when an accident occurs. Now he is face to face with ruthless Arctic wilderness and death is only one breath away.

介绍：This is a brilliant surrealistic film.　　But also a fully realistic story about a time when the brave avant-guarde artists were trying to explore the unknown landscapes of human possibilities.　　The contrast between two realities the poor village and the dadaist artists is shown very smart and brings the possibility of changing the world by the art.　　Unfortunately, that progressive ideals of making the world better by revealing new areas of imagination, that ruled in the first half of XX century, were crushed by the war.　　And, the tragedy finishes the artistic ideals are dead, international art brotherhood also, but, as a real disaster Yugoslavia is also dead, as a country, but as an artistic vision of nation's brotherhood, too.　　So, the art falls apart