介绍：骑兵队长约克驻守在得克萨斯州的要塞里，与印第安人发生了军事磨擦，儿子加入了他的部队，妻子也迫不及待的搬入了要塞在家庭矛盾面前，他顽固的军官性格差点毁了整个家庭，但最终重归于好。在出现家庭的完美结局的同时，战斗也以印第安人的失败而告终……

介绍：一名年轻的美国富商之子遭绑架，但是当三名糊涂的黑手党绑匪和他们倒楣的受害者在山中迷路时，他们最后在一栋施有吉普赛魔咒的废弃小屋中过夜。每个男人在早上醒来后，都立刻爱上他们第一眼所见到的人：一名朴素的老处女、一名英俊的樵夫和一头可爱的母牛，倒楣的富商之子则爱上村中口齿伶俐的黑发美女…。而当遭到出卖的黑手党老大和富商抵达现场要终止这起疯狂事件时，事情开始变得一蹋糊涂…

介绍：In 2038, a lonely man is living with a female android robot, that satisfies his every wish. Until one day she's updated with "Artificial Emotions" and wants to find out what love is. He dismisses her, saying that love is the worst thing that can happen to man, but when she presents him with a Lacta chocolate and asks him to describe its taste since she cannot eat, he tells her ..

介绍：动物园准备开放，聘请一班实习生到访实习，没想到一种神秘病毒在动物园内开始蔓延爆发，全动物园的动物因而变成噬血活尸，成了真正的尸乐园，现在园区内的幸存者除了得想办法逃出生天外，还必须阻止这群饥肠辘辘的动物活尸走出园区……

介绍：Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001 A Space Odyssey.　　In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.　　The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.