介绍：        Hayu is hinting at the cast announcement of The Real Housewives of London with a new teaser　　The streamer dropped a video sharing the logo for RHOL for the first time, which uses an umbrella as the franchise’s symbol.　　“London’s calling — who’s on the line? Don’t let it go to voicemail. Cast announcement soon,” reads the caption.　　RHOL is Hayu’s first original series, an adaptation of Bravo’s Real Housewives franchise set in London.　　Chanel Ayan, a star of Bravo’s The Real Housewives of Dubai, commented, “Juliet is everything.”

介绍：Hayu is hinting at the cast announcement of The Real Housewives of London with a new teaser. The streamer dropped a video sharing the logo for RHOL for the first time, which uses an umbrella as the franchise’s symbol. “London’s calling — who’s on the line? Don’t let it go to voicemail. Cast announcement soon,” reads the caption. RHOL is Hayu’s first original series, an adaptati...

介绍：十八岁的阿尔玛?兰卡斯特出身富裕家庭，过着看似完美的生活。家人都以为她在读法律专业，而暗地里，她一直在追逐自己真正的梦想 —— 电影　　校园里，她邂逅了二十岁的瓦迪姆?阿尔卡迪。他桀骜不羁、魅力十足，性格孤僻，有着一段不堪回首的过往。两人被迫合作拍摄一部学生影片，彼此相互较劲，却又慢慢靠近，不由自主地坠入爱河。　　然而，有人正在暗中监视他们。一个神秘人开始发来匿名恐吓信息，一心想要拆散二人，并揭露足以毁掉阿尔玛与瓦迪姆的重重秘密。

介绍：丹尼（塞缪尔·杰克逊 Samuel L. Jackson 饰）是一名出色的谈判专家，屡立战功当他的人生顺风顺水时，刹那间的转折让他措手不及。他的搭档发现警局内有人私吞公款，却在打算告诉丹尼实情时惨遭杀害，第一时间赶到现场的丹尼自然最大嫌疑人。当他确信是警局内有人要找他做替死鬼，百口莫辩之际，他铤而走险绑架了内务监察部检察官和其助手等人，想通过与警方的对话为自己洗刷罪名。　　丹尼要求另一分局派出谈判专家来和自己对话，因为他清楚要谋害自己的人就在自己的局里。于是邻局的谈判专家史宾恩（凯文·史派西 Kevin Spacey 饰）奉命前来和丹尼谈判，史宾恩相信了丹尼，开始为他搜集证据。

介绍：In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil.　　The Devil's Trap is a film directed by František Vláil, based on a novel by Alfréd Technik, adapted by František A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vláil made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968).　　Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace.　　As expected from Vláil, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery.　　Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door.　　The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more.　　Acting is great all around. Particularly the villains Miroslav Macháchek as the priest, casting a sinister and imposing shadow wherever he goes, and Cestmír Randa as the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village.　　The film also features the evocative music of Zdenk Liška (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vláil, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act.　　The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vláil's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest running time. It's therefore puzzling why this gem remains largely overlooked and ignored.