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全部共53个相关视频8/11

宇宙英雄之超银河传说粤语正片

标签:动作 冒险 家庭 奇幻 科幻 动画 

导演:坂本浩一

主演:宫野真守,草尾毅,团时郎,鹤野刚士,田中秀幸,森次晃嗣,古谷敏,冈村隆史,石丸博也,宫迫博之,黑部进,南翔太,上良早纪,小西博之,Tôru·Hachinohe,Mamoru·Uchiyama,杉浦太阳,俊藤光利,小泉纯一郎,蝶野正洋,山下纯

介绍:最强战士贝利奥斯因为渴望人工太阳火炬的力量而坠入黑暗,但他的叛乱最终被奥特之王平定,并被打进宇宙监狱……多年以后,被扎布拉星人救出的贝利奥斯重回光之国,打败了众奥特战士,成功夺走人工太阳火炬并到怪兽..

偷自行车的人已完结

标签:剧情 犯罪 

导演:维托里奥·德西卡

主演:兰贝托·马乔拉尼,恩佐·斯泰奥拉,莉安拉·卡雷尔,吉诺·萨尔塔梅伦达,福斯托·圭尔佐尼,朱里奥巴蒂费里,南多·布鲁诺,梅莫·卡罗泰努托,赛尔乔·莱昂内,切柯·里索内,翁贝托·斯帕达罗,Elena,Altieri,Carlo,Jachino

介绍:二战过后,罗马同许多城市一样,充斥失业和贫困,人们常常为一个工作机会争得头破血流已失业多时的里奇(Lamberto Maggiorani)费劲千辛万苦获得一份海报张贴的工作后,却为这份工作需要一辆自行车犯愁,为了以后的日子好过,他用妻子的嫁妆--床单从换回已经当掉的自行车,不想,他的自行车在上班第一天就被盗。里奇同儿子布鲁诺(Enzo Staiola)寻遍罗马大街小巷,也没能找到他赖以活命的自行车,眼见无指望的日子又要降临,里奇决定以牙还牙,可是他的运气却没有别的小偷好。

C团地已完结

标签:动画 恐怖 日韩动漫 

导演:奈良裕史

主演:高垣彩阳,户松遥,羽多野涉,大原沙耶香,山路和弘,屋良有作,飞田展男,松本和香子,黑田崇矢,Takeshi,Nishimura,中川翼,Takaharu,Okuma,野宫一范,Koudai,Takegawa,Keigo,Hoshino

介绍:原创恐怖动画『C団地』  10月1日深夜(大洋洲时间)首播  監督・奈良裕史  脚本・amphibian  动画制作:株式会社暁(无锡火鸟动画制作公司)  执行制作:Jason DeMarco (Warner Bros. Discovery)  制作:寺島真樹子 (Production I.G USA).

间谍亚契第六季已完结

标签:动画 欧美动漫 

导演:未知

主演:H.,Jon,Benjamin,Judy,Greer,Rina,Hoshino

介绍:在该剧中,居然还有一个专门负责人力资源的常规角色(Amber Nash配音)这在同类动画中非常少见。

我有毒已完结

标签:动作 科幻 恐怖 

导演:Daniel,de,la,Vega,Pablo,Parés

主演:Esteban,Prol,Horacio,Fontova,Sergio,Podelei,Gastón,Cocchiarale,Fini,Bocchino,Verónica,Intile,Goyo,Escardó,Demián,Salomón,Rodrigo,Ferreyra

介绍:Following the success of their feature debut Jennifer’s Shadow (2004) – an exercise in American Gothic set in a scary land called Argentina – Pablo Parés and Daniel de la Vega worked for a US company on a post-mega-disaster wasteland zombie film in which South America had been turned into an all-purpose, all-materials junkyard, with the undead as the last humane entities around (forget about the humans here!).  The project never materialised, but Diego Parés, Pablo’s brother, started to write and draw a comic series based on the screenplay – which so far remains a ruin, as only parts were finished and published. The ECish beauty and balls of Diego P.’s labour of love have now been congenially transformed by the directorial duo into a delightfully old-(1970s)school low-budget production, closer to Romero and Dante than Fulci and Lenzi. And the IFFR audience is in for the treat of treats they get to see the film and can also enjoy the unfinished comic in an exhibition.

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