介绍：The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.

介绍：An agoraphobic young woman, traumatized by past events, finds herself trapped and terrorized in her own home.

介绍：亿万富豪（阿莫瑞什·普瑞 Amrish Puri 饰）派自己的侄子阿俊（沙鲁克·罕 Shahrukh Khan 饰）前往印度去寻找一位名叫刚加（马里昂·歌莉娅 Mahima Chaudhry 饰）的女孩，这个女孩和富豪的儿子拉加维（Apoorva Agnihotri 饰）定下了婚约，如今，履行这约定的时刻到来了　　经历了一番波折，拉加维总算见到了自己未来的妻子刚加，但随着时间的推移，两人都发现他们彼此的价值观相去甚远。刚加是一个非常非常传统的印度姑娘，而拉加维的思想早就已经西化了。在阿俊的推波助澜下，刚加踏上了返回印度的旅途，在此过程中，两人之间的距离越来越近。

介绍：开始很简单， 一个已婚女人遇到一个单身的男人， 他们相爱，吵架，哭泣 一只狗，在城市和郊外游荡。 时光飞逝。 男人找到女人。狗遇到他们。 然后第三个人物出现。 前夫破坏一切。 电影第二部分开始， 和第一部分一样， 又不尽相同。 人类变成隐喻。 结束于狗叫，和婴儿哭泣声。　　——来自@快雪时晴 翻译的戈达尔《再见语言》手稿

介绍：全球突然出现了很多来自宇宙巨大的“入口”，世界一片混乱、陷入危机这些扭曲现实的入口为何出现，它们的另一端是？