介绍：图姆（塔纳泰·查亚特 Kangsom Tanatat Chaiyaat 饰）、奥利（芮塔·彭安 Rhatha Phongam 饰）和查蒂（庞萨克·拉塔纳波 Pongsak Rattanapong 饰）是学生时代的好友，彼此之间感情非常的要好毕业之后，查蒂选择了出国深造，一直都热爱摄影的图姆转行当起了摄影师，而奥利则开了一家小超市，做起了小买卖。　　为了工作，图姆租下了一间很大的工作室，然而，昂贵的房租给图姆带来了巨大的经济压力。为了解决这个问题，奥利联系上了查蒂，决定大家一起合租来分担房租。然而，当图姆时隔多年再度见到查蒂后，他的反应却并不是那么的高兴，因为他和查蒂曾经有过一段不为人知的往事。

介绍：热爱竞争的建筑学大一学生Jenkhwan和好朋友Pod打赌输了因此，Jenkhwan在高中毕业典礼上必须打扮成女人。一次偶然的机会，Jenkhwan从一个醉汉手中救了comm arts freshy Pin。Jenkhwan很快就喜欢上了她，但两人在互相了解之前就分开了。然而， 命运在令人困惑的情况下让他们再次相遇Jenkhwan的名字出现在女孩们的名字上宿舍名单和他的室友不是别人，正是针。起初，Jenkhwan打算把事情搞清楚，把他的名字移到男生宿舍名单上。然后波德提出一个新的赌注；他认为Jenkhwan没有成功击中Pin的机会。作为一个从不投降的人，Jenkhwan的下一步是成为Jenny，并在女生宿舍占据他的位置。

介绍：就在昨天《逐月之月》第二季的演员们也在曼谷举行了见面会，之前一直传闻的第三季也在见面会结尾的时候正式宣布《逐月之月》会出第三季的消息，之后大家只需要一起等待第三季的到来了！ 如果是第一季的原班该有多好我只能做梦了就因为不是原班人马我都没看2哈哈哈看第二季开局重演一遍我真的被雷焦，还没对演员谈得上有什么印象就先想弃了，第二季我没有逃过真香定律，个人觉得不尬而且越看越好看，演技不说最主要的是cp感强有化学反应，第一季是颜值好看但是作为一个资深很多部分都让我有尬尬的感觉，而且第二的演员真的都越看越好看各有特色。第一季你们再怎么说第三季也只会是第二季的人来演啦 第一季的姐姐们就不要在跳脚啦何必呢，还期待换回去的人不知道怎么想的哦[太开心]已经说过了第三季继续第二季的人选啦，别想啦[太开心]第二季都没看你期待第三季有什么用呢？

介绍：Hala是父亲的骄傲，她尽职尽责、有学术天赋，能够巧妙地驾驭她在芝加哥的青少年社交生活、以及作为巴基斯坦移民的独生子女的义务　　然而随着高中毕业的临近，Hala 遇到了青春期的烦恼。她遇到同班级热情洋溢的滑板男孩 Jesse，但这段浪漫的感情，却因信仰和包办婚姻的传统而变得复杂。　　开始挑战这些习俗，将自己的生活与父母解绑，这无疑是对自身力量与呐喊的一次重大考验。

介绍：Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.　　“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.　　The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.