介绍：故事讲述在一个威权体制（an authoritarian regime）逐渐瓦解的府邸（the palace）内，一年时间里发生的事情

介绍：At a quiet motel, a rising star in the film industry must confront her past as she navigates her flourishing career and delicate personal relationships.

介绍：Paul Naschy plays a supporting role as a deranged gravedigger in this zombie movie, set in a small highland village in 19th-century Scotland, where a stranger's arrival to claim an inheritance is met with apocalyptic visions and other evil omens. The town unearths a crypt full of horrors, including a devil-worshipping coven and throngs of the living dead.

介绍：以著名俄罗斯作家普希金所写的一鬼故事为蓝本的黑桃皇后,是传奇人物式的导演梭罗德狄金森最成功的作品之一.黑桃皇后被马丁西塞科斯誉为绝对的大片,它也是英国电影黄金时期中突破性的独特作品.作为一部煽情的和另一个毛骨悚然的贺岁片,黑桃皇后将会带来一次难忘之旅.她怪异的象征主义将使观众大饱眼福,并且产生一丝不安情绪.萦绕不去一名军官对扑克牌上了瘾,且相信有一个年老的女伯爵掌握了纸牌游戏百战百胜的秘密.军官对纸牌的着魔使他进入了炼狱般的疯狂，伤人和谋杀.

介绍：This utterly gorgeous Gothic melodrama would be widely hailed as a masterpiece, had it not been made in Italy during the Mussolini regime. A gross injustice, as Malombra - unlike Piccolo Mondo Antico, Mario Soldati's earlier film of an Antonio Fogazzaro novel - contains not one moment of triumphalist flag-waving or Fascist family values. Oddly akin to Rebecca in its atmosphere of death-haunted romance and voluptuous doom, it reaches a peak of visual refinement of which Hitchcock could only dream.　　Its star is Isa Miranda (famous, and not without reason, as Italy's answer to Garbo and Dietrich) playing a headstrong but unstable young noblewoman, confined by her uncle to a gloomy villa on the shores of Lake Como. A yellowed and crumbling letter, found in an old spinet, convinces her that she is the reincarnation of her uncle's first wife - another troubled beauty who died a virtual prisoner after being caught in a forbidden love affair. When a handsome young writer (Andrea Checchi) comes to stay, Miranda decides that HE is the reincarnation of the dead woman's lover. Gradually, she lures him into her web of sex and revenge...　　What more to say without spoiling the fun Miranda gives a performance to rival any of the great divas of Hollywood. Only Davis and Stanwyck, perhaps, could play a bad girl so boldly without losing all sympathy. The evocation of 19th century aristocracy, in its full decadent splendour, is visually and dramatically flawless - a model for such later Italian gems as Visconti's Senso and The Innocent.　　It helped, perhaps, that Soldati himself was a leading novelist. Blessed with an absolute respect for the classics he adapted, but in no way inhibited by them. He was also the guiding spirit of the now-forgotten 'calligraphic' movement, which brought the Italian cinema to such wondrous aesthetic heights during World War Two, only to collapse before the horror of Neo-Realism. Can we blame Soldati for giving up film-making in disgust and going back to writing novels　　So if you've ever felt (as I do) that Rossellini's much-touted Rome - Open City is the work of an amateur...well, Malombra is the film you have to see!