介绍：本片以300年前的科曼奇族为背景，讲述了一个名叫纳鲁的年轻女子的故事，她是一位凶猛且技艺高超的战士。她在大平原上一些传奇的猎人阴影下长大，所以当危险威胁到她的营地时，她要保护她的族人。当她发现自己面对的猎物是一个高度进化的外星掠食者，且拥有先进的技术武器，一场恶战开始了

介绍：一家生物公司通过非法途径进入生态保护区，并进行了不同物种基因的重组生物实验。他们将实验的目标锁定在了一只巨大鳄鱼身上，打算通过这只鳄鱼来培育实验室中的怪蛇。然而，由于缺乏经验，使用的麻醉剂量不足，导致鳄鱼在实验中醒来，狂暴的巨兽摧毁了实验室，与此同时，尚在实验中的怪蛇也因此逃脱了出来。 　　这两个怪物的存在，令离生态保护区最近的小镇面临了巨大的危险，原本宁静和平的小镇，将在分分钟之内化作一片血海。瑞贝（杨茜·巴特勒 Yancy Butler 饰）是小镇的警长，很快，她便找到了一种方法来消灭这两个怪物，从而避免它们伤害整个城镇的居民

介绍：一年一度的同乐会即将来临，这是一个评选最有趣卡通人物的比赛。加菲猫每年都会胜出，这对它来说简直是小菜一碟。然而今年加菲猫遭遇了一个名叫拉蒙的对手，后者英俊高大，连加菲猫的女伴艾琳都被其吸引，弃加菲猫而..

介绍：Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.　　The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).　　The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.　　The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.　　Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.　　Roger Philip Mellor