介绍：This utterly gorgeous Gothic melodrama would be widely hailed as a masterpiece, had it not been made in Italy during the Mussolini regime. A gross injustice, as Malombra - unlike Piccolo Mondo Antico, Mario Soldati's earlier film of an Antonio Fogazzaro novel - contains not one moment of triumphalist flag-waving or Fascist family values. Oddly akin to Rebecca in its atmosphere of death-haunted romance and voluptuous doom, it reaches a peak of visual refinement of which Hitchcock could only dream.　　Its star is Isa Miranda (famous, and not without reason, as Italy's answer to Garbo and Dietrich) playing a headstrong but unstable young noblewoman, confined by her uncle to a gloomy villa on the shores of Lake Como. A yellowed and crumbling letter, found in an old spinet, convinces her that she is the reincarnation of her uncle's first wife - another troubled beauty who died a virtual prisoner after being caught in a forbidden love affair. When a handsome young writer (Andrea Checchi) comes to stay, Miranda decides that HE is the reincarnation of the dead woman's lover. Gradually, she lures him into her web of sex and revenge...　　What more to say without spoiling the fun Miranda gives a performance to rival any of the great divas of Hollywood. Only Davis and Stanwyck, perhaps, could play a bad girl so boldly without losing all sympathy. The evocation of 19th century aristocracy, in its full decadent splendour, is visually and dramatically flawless - a model for such later Italian gems as Visconti's Senso and The Innocent.　　It helped, perhaps, that Soldati himself was a leading novelist. Blessed with an absolute respect for the classics he adapted, but in no way inhibited by them. He was also the guiding spirit of the now-forgotten 'calligraphic' movement, which brought the Italian cinema to such wondrous aesthetic heights during World War Two, only to collapse before the horror of Neo-Realism. Can we blame Soldati for giving up film-making in disgust and going back to writing novels　　So if you've ever felt (as I do) that Rossellini's much-touted Rome - Open City is the work of an amateur...well, Malombra is the film you have to see!

介绍：The film deals with reincarnation and had a gothic noir feel to it. While driving his car on a rainy night, Anand's car breaks down, and he goes to seek shelter in a nearby house. He is let into the house by the servant, and he is permitted to stay until the rains stop, and he is able to get his car fixed. It is here that Anand will find out about his previous birth, his true love, Madhumati, their ill-fated, star-crossed and tragic romance, and how this the events in his previous birth are going to effect him in this life-time.

介绍：故事发生在1860年的澳洲，彼时，糖尿病依旧是无法治愈的绝症一场意外夺去了伯爵之子哈瑞（鲁伯特·艾弗雷特 Rupert Everett 饰）的一只手臂，令从小热爱马匹的他再也无法驰骋于马背之上。哈瑞雇佣了名为奈德（雨果·维文 Hugo Weaving 饰）的马车夫，随着时间的流逝，两人之间产生了坚实的友谊。　　哈瑞爱慕名为莎拉（Catherine McClements 饰）的女子，然而，因为哈瑞患有糖尿病，令莎拉的母亲对这门亲事持有坚决反对的态度。日子一天天过去，哈瑞的身体日渐憔悴，在大限之日到来之前，他希望能够留下后代继承他的财产，于是，他想到了奈德，希望他能够代替自己，带给莎拉一个儿子。

介绍：这是英年早逝的法国导演让.厄斯塔什1974年导演的一部出色的青春片,本片讲述了一个青春期少年成长的故事,影片的格调清新写实,还原了上世纪同时期法国小城的生活和社会现实,同时通过对性暧昧的描写也出色地勾画出了青春期的困惑和诱惑,在主角小男孩一步步在诱惑下失去纯真走向改变的过程中也隐喻了导演的个人表达

介绍：社会底层人士考斯迪南（詹·海帝安Janne Hyytiäinen饰）是个不起眼的保安他的生活和事业都充斥着失败感，如果说他曾经有过一些挣扎的话，也陷于徒劳，因为无穷无尽的孤独和自卑感已经把他牢牢笼罩。他似乎已经被这个世界遗忘了太久。美女米尔雅（玛利亚·海斯卡涅 Maria Järvenhelmi 饰）就这样意外的出现了，被她如此垂青，考斯迪南的人生终于重现亮光。　　没料到，米尔雅接近考斯迪南，不过是珠宝店抢劫计划的一部分。可怜的考斯迪南不但默默忍受了一场情感的欺骗，还因此事而入狱。即使保释出狱后，一切都有了重建的希望，噩运却始终不肯离开这个小人物，又一次给他无情的打击。走投无路的考斯迪南，只有期盼着人生能有一丝曙光。