介绍：一位吝啬的罗马富商想方设法从教皇那儿获得贵族头衔，三个鬼魂登门造访，带他看清过去、现在与未来，让他领悟了人生的真谛本片将英国文豪狄更斯的经典小说《圣诞颂歌》的故事背景转移到了19世纪的罗马，聚焦一个新兴资本家的传奇一生，去除了原著的圣诞节背景与极强的道德教化意义，将之与彼时教权衰微、资产阶级革命兴起的意大利社会现实紧密联系在一起。服化道真实还原了时代，复古气息浓厚，而凶杀等悬疑元素的加入更是让影片可看性十足。

介绍：第一次危机刚刚结束，这对年轻的夫妇想要享受他们新婚的幸福，但美泉宫上空突然聚集起黑云：弗兰茨（菲利普·弗洛桑 Philip Froissant 饰）意外地在欧洲遇到了强大的对手而伊丽莎白（黛芙姆·林瑙 Devrim Lingnau 饰）也承受着巨大的压力，因为王位继承人要尽快确保帝国的未来。　　当命运全力打击时，这对夫妻的爱情面临着最终破裂的危险。伊丽莎白不仅要为她的家庭而战，还必须为自己灵魂的完整性而战。

介绍：单身男子大卫（马克·鲁弗洛 Mark Ruffalo饰）为了忘掉伤心事，决定出租自己的公寓怪事开始发生：一个叫伊丽莎白（瑞茜·威瑟斯彭 Reese Witherspoon饰）的姑娘闯入了大卫的生活，声称这是她的房子。　　伊丽莎白似乎拥有超乎凡人的能力，她能随时出现在各个处所，纠缠大卫逼他搬走。然而，她却不知道这背后隐藏着一个残酷的事实——其实伊丽莎白只是一具鬼魂。她生前是一个工作狂，在一场车祸中遇难。大卫请来驱鬼人，伊丽莎白渐渐知晓自己的身份。在这个过程中，大卫和伊丽莎白之间产生了人鬼之恋，伊丽莎白生前和大卫一段错过的缘分，伴随着这段无果的恋情显得倍加唏嘘。

介绍：巴利斯（贾可·塞纳斯 Jacques Sernas 饰）是特洛伊城的王子，一次偶然中，他邂逅了美丽的海伦（罗桑娜·珀德斯塔 Rossana Podestà 饰），突破了重重的障碍和阻力，巴里斯最终将海伦带回了特洛伊城　　哪知道，海伦的真实身份，竟然是斯巴达国王（尼尔·麦吉尼斯 Niall MacGinnis 饰）的宠妃，为了夺回心爱的女人，斯巴达国王向特洛伊城发起了进攻。英勇的希腊士兵如同潮水一般的涌入了特洛伊城，却遭遇了顽强的抵抗，最终大军无功而返。正在庆祝胜利的特洛伊人们并没有注意到，在撤退之时，希腊人留下了一匹大得有些离谱的木马。

介绍：Paris, 1315. The Tour de Nesle, a guard tower on the banks of the Seine, has become a symbol of mystery and fear. Each morning, at its base, the bodies of handsome young aristocrats are found floating in the river, all butchered by sword or arrow. One evening, two noblemen, Buridan and Philippe d'Aulnay, find themselves in the infamous tower, lured there on the expectation of a night of unbridled passion. Little do they realise that they are to be the next victims of a woman who is determined to take revenge against all men - Margaret of Burgundy, the present Queen of France. Although Philippe is killed, Buridan escapes, and intends to blackmail the Queen. Unless she makes him her prime minister, he will expose her crimes to Philippe's brother and her husband, King Louis X. When she moves to eliminate Burdan, Margaret makes a terrible discovery...　　In the twilight years of his long and pretty uneven career, the great avant-garde film director Abel Gance made a number of films which, whilst not as grand and artistically inspired as his early silent masterpieces (La Roue (1923), Napoléon (1927)), still compared very favourably with the work of his contemporaries.　　Of these, La Tour de Nesle is a film that still stands up remarkably well today - an ambitious historical drama based on the famous 1832 play by Alexandre Dumas. It makes a nice companion piece to Gance's subsequent historical romp, Cyrano et d'Artagnan (1964).　　　　Needless to say, the film isn't to be commended on its historical accuracy. As any historian will tell you, the Alexandre Dumas version of French history is wildly fanciful, to say the least. However, this doesn't prevent La Tour de Nesle from being an entertaining and, at times, highly poignant, piece of cinema.　　Whilst the characterisation and dialogue leave much to be desired, the plot (a murky tale of cruel revenge and political intrigue) is gripping, and the film's artistic design is exceptional for a film of this period. Gance brings a strangely expressionistic touch to his use of colour and shade, something which adds to the darkly sinister nature of the plot, whilst imbuing the film with a striking sense of historical realism. A propos, Gance's assistant director Nelly Kaplan makes her screen début in a small role, shortly before she herself embarked on a successful film making career.