介绍：这部极为豪华的古装剧以1866年春天，意大利和奥地利发生冲突前夕为历史背景描写了一名意大利贵族妇女Countess Serpieri ，背叛自己的婚姻和国家，不顾一切爱上了俊美而乖戾的奥地利军官Lieutenant Franz Mahler，两人爱得轰轰烈烈，但时代已经发生巨变，最终酿成悲剧。

介绍：Based on a novel.　　Fantastic!

介绍：Young couple Madeleine and Neil are coaxed by acquaintance Monsieur Beaumont to get married on his Haitian plantation. Beaumont's motives are purely selfish as he makes every attempt to convince the beautiful young girl to run away with him. For help Beaumont turns to the devious Legendre, a man who runs his mill by mind controlling people he has turned into zombies. After Beaumont uses Legendre's zombie potion on Madeleine, he is dissatisfied with her emotionless being and wants her to be changed back. Legendre has no intention of doing this and he drugs Beaumont as well to add to his zombie collection. Meanwhile, grieving 'widower' Neil is convinced by a local priest that Madeleine may still be alive and he seeks her out.

介绍：巴利斯（贾可·塞纳斯 Jacques Sernas 饰）是特洛伊城的王子，一次偶然中，他邂逅了美丽的海伦（罗桑娜·珀德斯塔 Rossana Podestà 饰），突破了重重的障碍和阻力，巴里斯最终将海伦带回了特洛伊城　　哪知道，海伦的真实身份，竟然是斯巴达国王（尼尔·麦吉尼斯 Niall MacGinnis 饰）的宠妃，为了夺回心爱的女人，斯巴达国王向特洛伊城发起了进攻。英勇的希腊士兵如同潮水一般的涌入了特洛伊城，却遭遇了顽强的抵抗，最终大军无功而返。正在庆祝胜利的特洛伊人们并没有注意到，在撤退之时，希腊人留下了一匹大得有些离谱的木马。

介绍：This utterly gorgeous Gothic melodrama would be widely hailed as a masterpiece, had it not been made in Italy during the Mussolini regime. A gross injustice, as Malombra - unlike Piccolo Mondo Antico, Mario Soldati's earlier film of an Antonio Fogazzaro novel - contains not one moment of triumphalist flag-waving or Fascist family values. Oddly akin to Rebecca in its atmosphere of death-haunted romance and voluptuous doom, it reaches a peak of visual refinement of which Hitchcock could only dream.　　Its star is Isa Miranda (famous, and not without reason, as Italy's answer to Garbo and Dietrich) playing a headstrong but unstable young noblewoman, confined by her uncle to a gloomy villa on the shores of Lake Como. A yellowed and crumbling letter, found in an old spinet, convinces her that she is the reincarnation of her uncle's first wife - another troubled beauty who died a virtual prisoner after being caught in a forbidden love affair. When a handsome young writer (Andrea Checchi) comes to stay, Miranda decides that HE is the reincarnation of the dead woman's lover. Gradually, she lures him into her web of sex and revenge...　　What more to say without spoiling the fun Miranda gives a performance to rival any of the great divas of Hollywood. Only Davis and Stanwyck, perhaps, could play a bad girl so boldly without losing all sympathy. The evocation of 19th century aristocracy, in its full decadent splendour, is visually and dramatically flawless - a model for such later Italian gems as Visconti's Senso and The Innocent.　　It helped, perhaps, that Soldati himself was a leading novelist. Blessed with an absolute respect for the classics he adapted, but in no way inhibited by them. He was also the guiding spirit of the now-forgotten 'calligraphic' movement, which brought the Italian cinema to such wondrous aesthetic heights during World War Two, only to collapse before the horror of Neo-Realism. Can we blame Soldati for giving up film-making in disgust and going back to writing novels　　So if you've ever felt (as I do) that Rossellini's much-touted Rome - Open City is the work of an amateur...well, Malombra is the film you have to see!