介绍：公元67年，艺术家Demetrio在科林斯做客时爱上了女奴勒纳，然而勒纳因为同情基督徒，又被主人烧死的危险

介绍：When a beautiful young influencer survives a mysterious shark attack, she becomes a monstrous apex predator, hunting and feeding in sunny Venice beach, California.

介绍：In 1866, a young Muscovite named Alexei Ivanovitch arrives in Baden Baden, then the gambling capital of Austria, and is soon engaged by General Zagorianski to look after his children. Alexei discovers that his employer is a compulsive gambler who has been almost ruined by his addiction. The only money the General has is provided by the Marquis de Grieux, an adventurer who intends to marry Zagorianski’s sister, Pauline. In doing so, de Grieux hopes to profit from the vast inheritance that will come the General’s way from his Aunt Antonina, who is presently very ill. Alexei is appalled by this society which lives only for money. He loves Pauline and wants to take her to a healthier place, but when she refuses to marry him, he begins to gamble at the casino…

介绍：巴黎深秋的一个清晨，22岁贵族出身的拉法埃尔·瓦朗坦在赌桌上输光了身上的最后一枚金币后，准备投进塞纳河自尽但这位才华横溢的年轻侯爵并没有成功。他希望几个月前努力在写的一本论意志的书会给他带来名利双收，结果却仍是身无分文。当瓦朗坦经过一家古董店时，他想得到一把枪来结束自己的生命。然而，古怪的盲古董商却给了他一张印有天竺文字的驴皮。这张驴皮能为主人实现任何的愿望，但愿望一经实现，驴皮会立刻缩小，主人的寿命也随之缩短。瓦朗坦开始从掳获金钱的快感，去填壑无尽的欲望，另一方面象征他的生命的驴皮也逐步的缩小，将他带往死亡。当成为百万富翁的瓦朗坦终于有了自己心仪的女人时，这位把灵魂出卖给魔鬼的浪荡子猛然惊觉，死神已临近身旁，只能眼睁睁地看着自己的末日来临。

介绍：This utterly gorgeous Gothic melodrama would be widely hailed as a masterpiece, had it not been made in Italy during the Mussolini regime. A gross injustice, as Malombra - unlike Piccolo Mondo Antico, Mario Soldati's earlier film of an Antonio Fogazzaro novel - contains not one moment of triumphalist flag-waving or Fascist family values. Oddly akin to Rebecca in its atmosphere of death-haunted romance and voluptuous doom, it reaches a peak of visual refinement of which Hitchcock could only dream.　　Its star is Isa Miranda (famous, and not without reason, as Italy's answer to Garbo and Dietrich) playing a headstrong but unstable young noblewoman, confined by her uncle to a gloomy villa on the shores of Lake Como. A yellowed and crumbling letter, found in an old spinet, convinces her that she is the reincarnation of her uncle's first wife - another troubled beauty who died a virtual prisoner after being caught in a forbidden love affair. When a handsome young writer (Andrea Checchi) comes to stay, Miranda decides that HE is the reincarnation of the dead woman's lover. Gradually, she lures him into her web of sex and revenge...　　What more to say without spoiling the fun Miranda gives a performance to rival any of the great divas of Hollywood. Only Davis and Stanwyck, perhaps, could play a bad girl so boldly without losing all sympathy. The evocation of 19th century aristocracy, in its full decadent splendour, is visually and dramatically flawless - a model for such later Italian gems as Visconti's Senso and The Innocent.　　It helped, perhaps, that Soldati himself was a leading novelist. Blessed with an absolute respect for the classics he adapted, but in no way inhibited by them. He was also the guiding spirit of the now-forgotten 'calligraphic' movement, which brought the Italian cinema to such wondrous aesthetic heights during World War Two, only to collapse before the horror of Neo-Realism. Can we blame Soldati for giving up film-making in disgust and going back to writing novels　　So if you've ever felt (as I do) that Rossellini's much-touted Rome - Open City is the work of an amateur...well, Malombra is the film you have to see!